Last Friday at Treehouse Pub & Eatery in Bettendorf, IA felt less like a brand-new gig and more like walking back into a room we already knew how to play. We rolled our cases onto the back patio, did the usual cable tangle and tuning tweaks, and by the time we looked up, the place had filled in with conversation, clinking glasses, and people settling in to hang out with us for the night.
The “Backyard” Stage Out Back
If you haven’t been to Treehouse Pub & Eatery, the name isn’t just clever branding. The back patio really does feel like someone built a multi-level wooden treehouse, then decided it needed a bar, a kitchen, and a lot of railings. There are string lights overhead, solid tables, and just enough elevation changes to make it feel like a backyard someone kept adding onto.
From the first tune, people felt close in—not just physically, but in the way they were actually paying attention. Heads turned when we hit the first chord. Folks were humming and singing along on the choruses, tossing us requests and comments between sets. We never feel like background noise at Treehouse; the patio leans into the show with us.
Starting Big, Then Sneaking In the New Stuff
We opened with a more upbeat first set to match the early dinner rush—songs with hooks people recognize, steady grooves, and plenty of toes tapping under the tables. Once that first wave finished their food and started heading out, the patio thinned a bit, and we took that as our chance to get a little braver with the set list.
“South City Midnight Lady” by The Doobie Brothers has been living on our music stands for a while, so finally playing it in front of actual humans felt like checking off a quiet little goal. It’s a layered, slow-burn song, and we honestly weren’t sure how it would feel outside the practice room. The applause came quickly and felt genuinely warm—one of those exhale moments that makes you think, “Okay, we can keep going down this road.”
We also brought out “Walk On the Ocean” by Toad the Wet Sprocket and “Round Here” by Counting Crows for their first public spin. Both of those live in that moody, storytelling lane we love—less about huge singalong choruses and more about letting the lyrics and dynamics carry things. You could feel the patio quiet down a notch as people tuned in, which is exactly what we hope happens with songs like that.
Cranking It Back Up With Old-School Rock & Roll
As the night went on, more people drifted back onto the patio, and the volume of the room climbed right along with them. We shifted gears and reached for the old rock & roll anchors: “Be-Bop-a-Lula” and “Great Balls of Fire.” Those two refuse to sit quietly in the background.
There was clapping on the backbeats, some full-on chair-dancing, and a lot of big grins aimed our way. Those piano parts move fast enough that there’s not much time to think about anything except keeping your hands where they’re supposed to be, but hearing people singing over the top of it makes the juggling act worth it.
Craig, Jana, and Familiar Family Faces
One of the highlights of the night was meeting Craig and Jana, who stayed with us all the way through the last song. After we wrapped up and started the slow process of coiling cables and packing up, we caught them on their way out and had a quick conversation and thank-you. Those end-of-the-night chats are short, but they’re the ones that replay in your head on the drive home.
We also had some very familiar faces in the crowd: Tom’s parents came out to the show. Having family in the audience adds a strange mix of comfort and pressure—you know at least two people out there have heard you practice these songs when they were a lot rougher, so you’re hoping they notice the progress.
Patio Weather That Actually Behaved
The weather did us a favor and hovered right around 75°. No jackets, no shivering, and we weren’t chasing guitars or piano tuning all night. For an outdoor show, that’s about as low-maintenance as it gets.
We’re not counting on that kind of luck once the temperatures drop, which is why we’re actually looking forward to our next Treehouse date being indoors—our first time playing the inside space there. Same crowd, same staff, just a new corner of the building for us to figure out.
Next Treehouse Date & How to Bring Us to Your Event
We’ll be back at Treehouse Pub & Eatery on Saturday, November 1. Whether you’ve seen us a bunch of times or you’re just curious what a piano–guitar duo sounds like in that room, we’d love to have you there.
If you’d like Bell & Field to bring this mix of new tunes, familiar classics, and plenty of interaction to your own event, you can book us for your next event. We’re always glad to add another party, wedding, or gathering to the growing list of nights we get to play.
From 7:00 PM to 10:00 PM, I played solo acoustic guitar and sang while classmates caught up, swapped old stories, and passed phones around with grandkid photos. I set up off to the side of the room—close enough to be heard, but far enough that people didn’t have to shout over the music.
The surprise of the night came at the very end. The room called out for “I Saw Her Standing There” as an encore, and that turned into a full-on dance break. About 20 determined classmates stayed on their feet, dancing and singing like it was the KHS gym floor back in the 70s instead of a golf club in 2025.
Copper & Oak really fits what I love about playing live. It’s got that worn-in, wood-and-brick kind of look, shelves lined with more bourbons and craft beers than I could ever hope to try, and a staff that actually seems to enjoy the music instead of just tolerating it.
When I kicked into “Piano Man,” I had one of those classic musician moments: I reached for the harmonica that…was sitting at home on a different table entirely. I had forgotten it. But honestly, it didn’t throw things off. People were singing along, clapping, and the piano carried the song just fine on its own.
House Divided Brewery sits right in the middle of Ely, but it’s more than just a spot to grab a beer. Cal and Lisa, the owners, built the whole place around their split sports loyalties, and somehow that friendly rivalry ends up making the room feel even more welcoming. You can tell people come here to linger, not just to drink and leave.
It wasn’t a huge crowd, but the folks who were there were really with us. A few songs in, we launched into “Sweet Caroline,” and that’s when the singalong broke out. You never quite know if people are going to commit to the “so good, so good, so good” part, but they absolutely did. Those are the moments that remind us why we haul gear around on our weekends.
We’re an acoustic duo that plays the songs we grew up on: ’60s, ’70s, ’80s, and ’90s favorites that people actually know the words to. We keep the setup simple-guitar, piano, and two voices-and let the songs carry the weight.
Copper & Oak sits in the new Route 66 Plaza in historic downtown Lincoln, and it feels like it was put together by people who really care about what they pour. There are shelves of bourbon and whiskey behind the bar, over 21 craft beers on tap, and a speakeasy-style room that makes you want to stay for “just one more.”
When Cyndi Lauper took the stage at the Hollywood Bowl for “A GRAMMY Salute to Cyndi Lauper: Live From the Hollywood Bowl,” it was more than a concert. It felt like a homecoming that was decades in the making. Over two nights of performances, filmed for broadcast on October 5, 2025, the special marked both the close of her “Girls Just Wanna Have Fun” farewell tour and the prelude to her Rock & Roll Hall of Fame induction later that year. It was a vibrant, emotional look back at one of pop music’s most fearless artists.
A Couple of Stories
This past Saturday we hauled the piano, guitar, and sax down to Central Blvd in Kewanee, IL, for a Hog Days Pre-Parade Celebration at a private home right on the route. It was one of those late-summer afternoons where the sun is warm but not punishing, and you can hear the buzz of the parade crowd starting to build in the distance.
One of the best surprises of the day was when local musician Marshall Jones jumped in with us. He came up to sing “It’s Probably Me” by Sting, and it instantly felt like we’d rehearsed it, even though we absolutely hadn’t. That’s the fun part of these neighborhood-style shows—someone you know from around town steps up and suddenly you’ve got a new version of the band for a song.
Bell & Field live performance at Edisons gastropub
A Culinary Delight
