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Bell & Field w/ Paul Weddle (Saxophone) Live at Crescent City Tap – February 27

Are you ready for an evening of music and camaraderie? Mark your calendar for February 27, 2026, as Crescent City Tap in Galva, IL, hosts an enchanting night filled with the magical melodies of Bell & Field! This special evening starts at 6:00 PM and continues through to 9:00 PM, offering an auditory journey that you won’t want to miss.

Event Details

  • When: Friday, February 27, 6:00–9:00 PM
  • Where: Crescent City Tap – 336 Front St, Galva, IL 61434
  • Who: Live performance by the talented duo, Bell & Field
  • What to Expect: An atmosphere of timeless tunes and delightful beverages, creating a perfect backdrop for a memorable night.
  • Website: Crescent City Tap

Bell & Field: Professional Acoustic DuoAbout Bell & Field:


Bell & Field captivate audiences with their seamless harmonies and a collection of classic hits from the ’60s to the ’90s. Their acoustic performances foster a close-knit vibe, perfect for enjoying both the music and the exquisite wine selection available.

Bell & Field will be joined by renowned saxophonist Paul Weddle for this event.  You won’t want to miss it!

The Venue: Crescent City Tap & Galva Charm

Nestled in the quaint town of Galva, Crescent City Tap offers more than just drinks; it provides a transportive experience. Inspired by the vibrant spirit of the French Quarter, this venue features cozy outdoor seating where guests can savor craft beers, specialty whiskeys, and a unique selection of wines. Galva’s welcoming community and scenic charm make every visit feel like a celebratory escape. Crescent City Tap is not just a bar; it’s a cornerstone of local culture and entertainment—making every night there a delightful adventure.

Join Us for an Unforgettable Evening

Gather your friends for a night that blends the joy of live music with the finesse of fine wines. Whether you’re a die-hard fan of Bell & Field or simply discovering their enchanting repertoire, this evening is set to be a special mix of melodies and tastes that craft beautiful memories. What classic song or wine are you anticipating? We invite you to share your thoughts in the comments below!

Raise a glass to an unforgettable night of music, beverages, and joy at Crescent City Tap!

Bell & Field Live at Crescent City Tap – January 30

Crescent City TapLooking for a way to spice up your winter with some incredible music? Join us on January 30 at Crescent City Tap in Galva, IL, for a night filled with enchanting melodies and delicious drinks! With Bell & Field performing live from 6:00 PM to 9:00 PM, it’s a perfect evening to shake off the January chill and enjoy some warm company.

Event Details

  • When: Sunday, January 30, 6:00–9:00 PM
  • Where: Crescent City Tap – 336 Front St, Galva, IL 61434
  • Who: Live acoustic performance by the renowned duo, Bell & Field
  • What to Expect: An evening with soothing music, specialty cocktails, and an inviting atmosphere that’s uniquely Crescent City.
  • Website: Crescent City Tap

Bell & Field: Professional Acoustic DuoAbout Bell & Field:


Bell & Field bring an impressive set that spans decades, from the ’60s through the ’90s, all wrapped in heartfelt harmonies and acoustic charm. Their music is the perfect accompaniment for the ambiance at Crescent City Tap, allowing you to sit back, relax, and enjoy the cozy winter vibes.

The Venue: Crescent City Tap & Galva Charm

Nestled on the quaint streets of Galva, IL, Crescent City Tap exudes a warm welcome reminiscent of New Orleans. This French Quarter-inspired bar offers a plethora of beverages including craft beers and exotic whiskeys. The venue’s charm is not only in its menu but also in its atmosphere—a blend of local hospitality and vibrant culture that makes every visit a celebration. Enjoy their lovely outdoor space, even in the cooler months, as they create an inviting space that’s second to none.

Join Us for a Night to Remember

Prepare for an evening of musical magic and exceptional spirits at Crescent City Tap. Whether you’re coming to relive classics with Bell & Field or eager to explore the venue’s exciting drink selection, your night is bound to be memorable. Which song or craft cocktail are you most excited to experience? Share with us in the comments below!

Here’s to a blissful evening of live music, incredible drinks, and joyful connections at Crescent City Tap!

Strumming Through the Night at Treehouse Pub & Eatery

Last Friday at Treehouse Pub & Eatery in Bettendorf, IA felt less like a brand-new gig and more like walking back into a room we already knew how to play. We rolled our cases onto the back patio, did the usual cable tangle and tuning tweaks, and by the time we looked up, the place had filled in with conversation, clinking glasses, and people settling in to hang out with us for the night.

The “Backyard” Stage Out Back

If you haven’t been to Treehouse Pub & Eatery, the name isn’t just clever branding. The back patio really does feel like someone built a multi-level wooden treehouse, then decided it needed a bar, a kitchen, and a lot of railings. There are string lights overhead, solid tables, and just enough elevation changes to make it feel like a backyard someone kept adding onto.

From the first tune, people felt close in—not just physically, but in the way they were actually paying attention. Heads turned when we hit the first chord. Folks were humming and singing along on the choruses, tossing us requests and comments between sets. We never feel like background noise at Treehouse; the patio leans into the show with us.

Starting Big, Then Sneaking In the New Stuff

We opened with a more upbeat first set to match the early dinner rush—songs with hooks people recognize, steady grooves, and plenty of toes tapping under the tables. Once that first wave finished their food and started heading out, the patio thinned a bit, and we took that as our chance to get a little braver with the set list.

“South City Midnight Lady” by The Doobie Brothers has been living on our music stands for a while, so finally playing it in front of actual humans felt like checking off a quiet little goal. It’s a layered, slow-burn song, and we honestly weren’t sure how it would feel outside the practice room. The applause came quickly and felt genuinely warm—one of those exhale moments that makes you think, “Okay, we can keep going down this road.”

We also brought out “Walk On the Ocean” by Toad the Wet Sprocket and “Round Here” by Counting Crows for their first public spin. Both of those live in that moody, storytelling lane we love—less about huge singalong choruses and more about letting the lyrics and dynamics carry things. You could feel the patio quiet down a notch as people tuned in, which is exactly what we hope happens with songs like that.

Cranking It Back Up With Old-School Rock & Roll

As the night went on, more people drifted back onto the patio, and the volume of the room climbed right along with them. We shifted gears and reached for the old rock & roll anchors: “Be-Bop-a-Lula” and “Great Balls of Fire.” Those two refuse to sit quietly in the background.

There was clapping on the backbeats, some full-on chair-dancing, and a lot of big grins aimed our way. Those piano parts move fast enough that there’s not much time to think about anything except keeping your hands where they’re supposed to be, but hearing people singing over the top of it makes the juggling act worth it.

Craig, Jana, and Familiar Family Faces

One of the highlights of the night was meeting Craig and Jana, who stayed with us all the way through the last song. After we wrapped up and started the slow process of coiling cables and packing up, we caught them on their way out and had a quick conversation and thank-you. Those end-of-the-night chats are short, but they’re the ones that replay in your head on the drive home.

We also had some very familiar faces in the crowd: Tom’s parents came out to the show. Having family in the audience adds a strange mix of comfort and pressure—you know at least two people out there have heard you practice these songs when they were a lot rougher, so you’re hoping they notice the progress.

Patio Weather That Actually Behaved

The weather did us a favor and hovered right around 75°. No jackets, no shivering, and we weren’t chasing guitars or piano tuning all night. For an outdoor show, that’s about as low-maintenance as it gets.

We’re not counting on that kind of luck once the temperatures drop, which is why we’re actually looking forward to our next Treehouse date being indoors—our first time playing the inside space there. Same crowd, same staff, just a new corner of the building for us to figure out.

Next Treehouse Date & How to Bring Us to Your Event

We’ll be back at Treehouse Pub & Eatery on Saturday, November 1. Whether you’ve seen us a bunch of times or you’re just curious what a piano–guitar duo sounds like in that room, we’d love to have you there.

If you’d like Bell & Field to bring this mix of new tunes, familiar classics, and plenty of interaction to your own event, you can book us for your next event. We’re always glad to add another party, wedding, or gathering to the growing list of nights we get to play.

Strumming Memories at the Kewanee High School 50th Reunion

This past Saturday, I (Tom) loaded up my guitar and drove over to the Midland Golf Club in Kewanee, IL, where the Kewanee High School Class of 1975 was gathering for their 50th reunion. By the time I walked in, people were already calling out names across the room and finishing stories that clearly started a long time ago.

50 Years of Stories, 3 Hours of Songs

From 7:00 PM to 10:00 PM, I played solo acoustic guitar and sang while classmates caught up, swapped old stories, and passed phones around with grandkid photos. I set up off to the side of the room—close enough to be heard, but far enough that people didn’t have to shout over the music.

I told a few folks that I honestly couldn’t have asked for a better way to spend a Saturday night. Watching friendships that have stretched over 50 years fall right back into place is pretty grounding. Between songs, the room was loud with laughter and “Do you remember when…?”—exactly what you hope for at a reunion.

Songs That Took the Class of ’75 Back

We leaned hard into the music this class grew up with—the 1960s and 1970s songs that were probably on their car radios and record players back then. A few that clearly hit a nerve:

  • “We May Never Pass This Way (Again)” by Seals and Crofts
  • “Sunshine” by Jonathan Edwards
  • “Stand By Me” by Ben E. King
  • Encore: “I Saw Her Standing There” by The Beatles

“We May Never Pass This Way (Again)” felt almost too on-the-nose for a 50th reunion, but in the best way. I could see people quietly mouthing the words at their tables, some staring off for a second before snapping back into conversation.

By the time I got to “Stand By Me,” a few couples had decided that sitting down was overrated and made their way to the dance floor. It wasn’t a huge crowd out there, but the ones who danced really leaned into it.

Tom Campbell performingThe surprise of the night came at the very end. The room called out for “I Saw Her Standing There” as an encore, and that turned into a full-on dance break. About 20 determined classmates stayed on their feet, dancing and singing like it was the KHS gym floor back in the 70s instead of a golf club in 2025.

How Midland Golf Club Fit the Reunion

Midland Golf Club turned out to be a solid home base for this kind of gathering. There was enough space for people to wander from table to table, give long overdue hugs, and still carve out a little dance floor when the songs called for it.

From my spot with the guitar, I could see clusters of classmates all over the room—people leaning in, pointing across the way, and laughing at something only the KHS Class of ’75 would really understand. The staff kept things quietly on track in the background so everyone could stay focused on catching up instead of worrying about logistics.

Closing Out With the Class of 1975

At the end of the night, I told them, “Hats off to the KHS Class of 1975!” and I meant it. It was a genuine pleasure being the background (and every now and then the foreground) soundtrack for a group that still clearly loves its classic rock and pop.

Those three hours went by quickly: familiar songs, old friends reconnecting, and a handful of brave dancers who refused to let the night end quietly.

Need Live Acoustic Music for Your Reunion or Event?

If you’re planning a reunion, wedding, or any kind of celebration and you’d like live acoustic music—guitar, piano, and vocals—my duo partner Greg and I would be glad to be part of it. You can find details here: Book us for your next event.

Whether you want us tucked into the background while people catch up, or leading a singalong at the end of the night, we’re all in on helping your group reconnect over the songs they know by heart.

New Music Review: Lewis Knudsen and Lainey Jean’s “Tired” – A REAL Antidote to Digital Monotony

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Life, in its most fundamental rhythm, is a sequence of repetitions. There is a deep, primal satisfaction in this—the familiar cycle of the sun, the comfort of a routine, the predictable rhythm of an average day. This sense of knowing, of grounding, often acts as a necessary anchor in a chaotic world. Yet, as our modern culture has ramped up the gears of mass-production, that fine line between the familiar and the monotonous has all but dissolved. We are inundated with a sea of cheap sameness: products, services, ideas—all delivered to us at a relentless pace. In the wake of this cultural shift, and with the rapid, pervasive rise of artificial intelligence across all forms of media, the task of discerning the authentic from the algorithmic, the real from the fake, has become an exhausting, daily chore.

This is Real

This cultural backdrop is precisely what makes the arrival of “Tired” by Lewis Knudsen and Lainey Jean so impactful. Dropped quietly at the end of September, it is a distinctly REAL piece of music that cuts through the noise. It doesn’t scream for attention with flashy production or rely on viral trends; instead, it offers a moment of genuine, empathetic resonance.

Lewis Knudsen, a respected musician from the Illinois Quad Cities, has been honing his craft for years. His songwriting is consistently rooted in his own sincere life experiences, a biographical honesty that elevates his work beyond mere pop craft. While the material is deeply personal, he has a gift for crafting songs in a way that allows listeners to instantly find themselves within the lyrics, nodding their head in recognition of universal truths. It’s the kind of music that feels less like performance and more like shared conversation.

Partnering with him on this track is Lainey Jean, a relative newcomer from Rock Island, Illinois, whose passion for music deepened during the quiet, isolating moments of the COVID-19 pandemic. She has been actively performing and releasing music since 2024, and this collaboration proves she is an artist with a promising trajectory.

Cutting Through the Noise

The song “Tired” is, oddly enough, profoundly comforting. The title speaks directly to a collective fatigue. We are all worn down by the perpetual white noise of modern existence: the endless scroll of social media, the aggressive push of digital marketing, the dizzying, corrosive churn of pop culture and political vitriol. It’s an exhaustion that seeps into every facet of life. Sometimes, the weariness is the sheer volume of products relentlessly hawked to us; other times, it’s the superficiality of fake or forced interactions with people we see every day. The song captures this feeling of being constantly “on” and utterly drained by the effort.

Knudsen and Jean bring a beautiful, complementary contrast to the track. They both possess distinct voices—Knudsen’s perhaps offering a grounded, seasoned weariness, and Jean’s providing a brighter, more hopeful texture. Their vocal blend is superb, creating a soundscape where hope is delicately wrapped in the honest acknowledgment of everyday exhaustion. It’s not a song about giving up; it’s a song that says, “I see you, and it’s okay to feel this way.”

Like a Silent Prayer

Musically, the song is subtly arresting. Knudsen’s production choices are masterful in their restraint. I am particularly taken by how the repetitive, grounded verses—which musically mirror the monotony they describe—are broken by a stunning, cathartic flourish. The end of the verses is punctuated by a string of cello-like ascending notes. It’s a sonic signature that acts like a gasp of air or a moment of release, an aural representation of birds being set free to the sky, like a brief, silent prayer. This subtle musical detail provides the emotional climax of the song, transforming the simple word “tired” into a moment of graceful surrender and renewal.

In a media landscape increasingly populated by the synthesized and the superficial, “Tired” is a necessary act of musical resistance. It is a genuine, human connection presented as a beautifully arranged duet. Let’s sincerely hope this is far from the last collaboration between Lewis Knudsen and Lainey Jean. They have found a powerful synergy, and their voices are precisely what is needed to cut through the din of our increasingly automated world.


What other artists do you think successfully capture this feeling of modern digital fatigue in their music?

https://lewisknudsen.com

https://linktr.ee/laineyjean

A Surprise Reunion at Copper & Oak: Greg’s Solo Return to the Stage

October 11th turned into a pretty meaningful night for me at Copper & Oak Bourbon and Craft Beer Bar in Lincoln, IL. This time, it wasn’t Bell & Field—just me, a piano, and a setlist. It had been a while since I’d played a full solo show, and I’ll admit, the nerves were definitely there at soundcheck. But once people started settling in with their drinks and I hit the first few notes, it felt like coming home.

Settling In at Copper & Oak

Copper & Oak really fits what I love about playing live. It’s got that worn-in, wood-and-brick kind of look, shelves lined with more bourbons and craft beers than I could ever hope to try, and a staff that actually seems to enjoy the music instead of just tolerating it.

I set up inside, right by the open garage doors. That setup worked out perfectly—people at the bar and tables could see the piano, while the music carried out to the patio where folks were hanging out outside. Every time the breeze rolled through the open doors, it felt like the room took a deep breath with me.

Songs That Shaped the Night

I built the setlist around songs that I’ve leaned on for years, plus a few that always seem to land well in a room like this:

  • “Piano Man” – Billy Joel
  • “Your Song” – Elton John
  • “Take The Long Way Home” – Supertramp
  • “Operator” – Jim Croce

When I kicked into “Piano Man,” I had one of those classic musician moments: I reached for the harmonica that…was sitting at home on a different table entirely. I had forgotten it. But honestly, it didn’t throw things off. People were singing along, clapping, and the piano carried the song just fine on its own.

A Surprise in the Crowd

This show was my first solo performance in about a year, so there was a little mental checklist running in the back of my head: Do I still remember all the lyrics? How did I used to start this one? Once I got going, though, the muscle memory kicked in and I actually enjoyed the challenge of holding the room on my own again.

The moment that really stuck with me happened between songs. I looked up and noticed a familiar face in the crowd—my dad. He had driven two hours to be there and somehow managed to keep it completely under wraps. Earlier that day he’d even called me, pretending he wasn’t sure where Lincoln was, just to throw me off. Seeing him there, mixed in with the other listeners, meant a lot. It’s one thing to have a supportive audience; it’s another thing entirely when your dad quietly slips in and grabs a seat.

Looking Ahead: Bringing the Duo Back

The folks at Copper & Oak were locked in—listening, reacting, and giving back as much energy as I was putting out. That kind of crowd makes it easy to forget about nerves and just play. Nights like this remind me why we keep loading up the gear and driving to new towns.

I’ll be back at Copper & Oak in November, this time with Tom for a full Bell & Field duo show. I’m excited to bring the guitar into the mix and build on what started with this solo night. If you were there in October, I’d love to see you again—and if you missed it, November’s your shot.

Book Bell & Field for Your Own Event

Huge thanks to everyone who came out to support live music at Copper & Oak. If you’re planning a party, wedding, or any event that could use live acoustic music, we’d love to be part of it. Book us for your next event, and let’s put together a set that fits your night.

Harmony and Brews: An Afternoon with Bell & Field at House Divided

This past Saturday we took a little road trip to Ely, IA, to play an afternoon set at House Divided Brewery. As soon as we walked in and heard Fleetwood Mac spinning on the turntable, we looked at each other like, “Yep, we’re going to like it here.” The October sun was doing its best late-summer impression, and the whole place felt relaxed in that way only a warm fall day can.

House Divided, Bikes on the Trail, and a Brewery with a Story

House Divided Brewery sits right in the middle of Ely, but it’s more than just a spot to grab a beer. Cal and Lisa, the owners, built the whole place around their split sports loyalties, and somehow that friendly rivalry ends up making the room feel even more welcoming. You can tell people come here to linger, not just to drink and leave.

Being so close to the Cedar River Trail, it’s a natural stop for cyclists. All afternoon we watched people roll up on bikes, helmets in hand, still a little flushed from the ride. It added this fun, come-and-go rhythm to the day—locals, trail riders, regulars, all mixing together over pints.

What We Played and How It Felt from the Stage

We eased into the set with “Summer Breeze,” which felt pretty on the nose with the sun out and the doors open, but sometimes obvious is exactly right. From there, the afternoon settled into that comfortable groove where you can see people relaxing into the music—kids wandering around, friends catching up at picnic tables, a couple of dogs doing their best to say hi to everyone.

It wasn’t a huge crowd, but the folks who were there were really with us. A few songs in, we launched into “Sweet Caroline,” and that’s when the singalong broke out. You never quite know if people are going to commit to the “so good, so good, so good” part, but they absolutely did. Those are the moments that remind us why we haul gear around on our weekends.

  • Opening with “Summer Breeze” to match the warm, breezy afternoon.
  • Families, friends, and a few very social dogs scattered around the patio.
  • A full-throated “Sweet Caroline” singalong that caught us pleasantly off guard.
  • Closing with “Landslide” as a little nod to the Fleetwood Mac vinyl that greeted us when we walked in.

Bees, Cabernet, and the Long Drive Home

The drive to Ely was longer than our usual run, but it went by quickly. Greg and I spent most of it trading stories, passing the aux cord back and forth, and talking through the set list. Honestly, those car conversations are half the fun of doing this together.

Onstage, we had a few uninvited guests: bees that were very interested in our cabernet. We’d be mid-song, trying to keep a straight face while gently shooing them away from the glasses. The crowd definitely noticed, and there were a few laughs as we did our best to play music and negotiate with nature at the same time.

After we packed up, we headed over to Big Grove Brewpub for some much-needed food. There’s something satisfying about ending a day like that with good plates in front of you and that post-show tiredness setting in—quiet, content, and a little sun-soaked.

Come Hang with Us Next Time

If you couldn’t make it out to Ely, we’ve got more shows on the calendar and would love to see you at one. Whether you’re into live music, exploring new breweries, or just looking for an excuse to get out of the house for a bit, keep an eye on our upcoming dates.

Book us for your next event. We’ll bring the songs, the stories from the road, and just enough chaos (hopefully fewer bees) to keep it real.

Bell & Field Live at Copper & Oak Bourbon and Craft Beer Bar – December 6

On Saturday, December 6, we’re loading up the guitar and piano and heading into downtown Lincoln for a three-hour acoustic hang at Copper & Oak Bourbon and Craft Beer Bar. If your idea of a solid Saturday is live music, good people, and a serious bourbon and craft beer lineup, this one’s for you.

We’ll be playing as Bell & Field from 5:00-8:00 PM while you explore their bourbons, whiskeys, and rotating craft beers. Expect classic songs from the ’60s through the ’90s, stripped down to guitar, piano, and two voices, in a bar that clearly cares about what’s in your glass.

When, Where, and What We’re Doing

  • When: Saturday, December 6, 5:00-8:00 PM
  • Where: Copper & Oak Bourbon and Craft Beer Bar – 227 N Kickapoo St, Lincoln, IL 62656 (right in the heart of historic downtown and the Route 66 Plaza)
  • Who: Live acoustic set by Bell & Field
  • What to Expect: Classic melodies from the ’60s-’90s, a deep bourbon and whiskey list, and plenty of distinctive craft beers to ease you into the weekend.
  • Website: Copper & Oak Bourbon and Craft Beer Bar

What Bell & Field Sounds Like in a Room Like This


Bell & Field: Professional Acoustic DuoWe’re an acoustic duo that plays the songs we grew up on: ’60s, ’70s, ’80s, and ’90s favorites that people actually know the words to. We keep the setup simple-guitar, piano, and two voices-and let the songs carry the weight.

Our sets are built for spots like Copper & Oak. You can still hear the lyrics, you don’t have to shout across the table, and when your favorite chorus hits, you’ll feel it even if you’re mid-conversation. We like to read the room as we go: easing in with slower tunes while everyone gets their first drink, then nudging the tempo up as the night rolls on and the bar fills out.

Bourbon Shelves, Craft Taps, and Route 66


People enjoying drinks at a bar.Copper & Oak sits in the new Route 66 Plaza in historic downtown Lincoln, and it feels like it was put together by people who really care about what they pour. There are shelves of bourbon and whiskey behind the bar, over 21 craft beers on tap, and a speakeasy-style room that makes you want to stay for “just one more.”

It’s the kind of place where one table might be comparing tasting notes on a new whiskey flight while the next is just clocking out from the week with a cold craft beer. We’ll be playing to both: songs you can tap your foot to while you talk, and a few that might make you stop mid-sip because you haven’t heard them in a while.

Come Spend a Saturday With Us in Lincoln

If you’ve seen Bell & Field before, come check us out in a new room. If you haven’t caught a show yet, this is an easy first time-no tickets, no big production, just live music, good drinks, and a Saturday evening in downtown Lincoln.

If hearing us at Copper & Oak gets you thinking about live music for your own thing-a small wedding, a private party, or a night at your bar-you can find details about booking us here: https://www.bellandfieldmusic.com/book-acoustic-duo/.

Planning to come out to Copper & Oak? Drop a comment and let us know: which classic track are you hoping we sneak into the set, and which bourbon, whiskey, or craft beer are you starting with?

Cyndi Lauper’s Hollywood Bowl Salute: A Farewell, a Homecoming & a Legacy Reborn

When Cyndi Lauper took the stage at the Hollywood Bowl for “A GRAMMY Salute to Cyndi Lauper: Live From the Hollywood Bowl,” it was more than a concert. It felt like a homecoming that was decades in the making. Over two nights of performances, filmed for broadcast on October 5, 2025, the special marked both the close of her “Girls Just Wanna Have Fun” farewell tour and the prelude to her Rock & Roll Hall of Fame induction later that year. It was a vibrant, emotional look back at one of pop music’s most fearless artists.

Setting the Stage: Timing, Scale, and Symbolism

Pulling off a tribute concert while the honoree is still performing is no small feat. Yet CBS, The Recording Academy, and Lauper’s team delivered something rare: a live television event that felt genuinely alive. The timing was perfect. Lauper wrapped her farewell tour with those Hollywood Bowl shows, then turned the finale into a filmed celebration of her career. Variety called it “a pleasing presentation of her farewell tour finale,” and the phrase fits perfectly.

There was symbolism everywhere. Lauper stood on one of America’s most storied stages, surrounded by artists she inspired and peers who helped shape her generation. For longtime fans, it felt like watching a circle close, while new audiences got to see why she still matters. Forty years after her debut, Lauper’s impact hasn’t dimmed one bit.

Standout Moments: Guests, Surprises, and the Emotional Peak

The show was built on collaboration and reverence. The guest list was staggering: Cher, Joni Mitchell, John Legend, SZA, Angélique Kidjo, Mickey Guyton, Trombone Shorty, and Jake Wesley Rogers. Each brought something personal, transforming the night into a living conversation between artists and eras.

When Joni Mitchell joined Lauper for “Carey,” the crowd fell silent. Lauper introduced her as “my hero,” and it showed. Billboard reported Lauper was visibly emotional, and it was clear this was not just a duet but a generational exchange between two icons.

And then came Cher. Their duet on “Girls Just Want to Have Fun” was pure theater. Both wore white coats with red polka dots, echoing Lauper’s early MTV style. They laughed, traded lines, and at one point Cher grinned and said, “No, you’re the queen.” The moment was lighthearted, funny, and full of mutual respect. It was two legends sharing the same oxygen and having fun with it.

“Time After Time” with John Legend

But the emotional centerpiece was Lauper’s duet with John Legend on “Time After Time.” It was stripped-down, heartfelt, and haunting in its simplicity. No heavy effects, no overproduction—just two voices, a piano, and the kind of quiet that lets the song breathe. Lauper’s tone was tender, Legend’s phrasing elegant, and the result was an interpretation that felt timeless.

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“Time After Time” — Cyndi Lauper with John Legend, Live From the Hollywood Bowl

It was also a reminder of how good songwriting never ages. “Time After Time” has lived many lives, but this performance felt personal, almost like Lauper was passing the torch to another generation. For musicians, it’s the kind of song you wish you had written: simple, melodic, emotionally bulletproof.

The Music as a Story

The setlist played like a career retrospective told through sound. She opened with “She Bop,” kept the energy high with “The Goonies ‘R’ Good Enough,” and then pulled the mood inward with “Sally’s Pigeons” and “I Drove All Night.” By the midpoint, “Time After Time” had the crowd swaying, phones aloft, and the finale—”True Colors” into “Girls Just Want to Have Fun”—brought everyone to their feet.

Across two nights, the arrangements changed slightly, but the feeling never wavered. It wasn’t nostalgia. It was gratitude. Lauper performed like someone who knew what her music had meant to people and wanted to give a proper goodbye.

Why This Tribute Was So Right

She redefined pop music. Lauper’s debut in the early 80s was a cultural shockwave. The sound, the look, the humor, and that unmistakable voice—all of it combined to create something new. She wasn’t built for trends; she made them. And that originality is exactly what this tribute honored.

She never stopped evolving. From “Kinky Boots” on Broadway (where she won a Tony Award for Best Original Score) to decades of touring, Lauper’s career proves that reinvention doesn’t have to mean compromise. The Hollywood Bowl special gave space for that range, letting her artistry shine beyond the pop hits.

Her advocacy is part of her art. Lauper’s True Colors United continues to fight LGBTQ+ youth homelessness, and her compassion runs through everything she does. Hearing “True Colors” performed with that in mind hits differently—it reminds you that pop music, at its best, can still change lives.

Why Bell & Field Love Playing “Time After Time”

At Bell & Field, we play “Time After Time” at almost every show. It’s one of those songs that stops people mid-conversation when they hear it from a male perspective. The chord structure is simple, the lyrics are universal, and it has an emotional truth that never gets old. Whether it’s played at a wedding, a small club, or a festival stage, it feels like everyone in the room knows what it’s about: loyalty, tenderness, and time itself. Watching Lauper and Legend revisit it only deepened that connection. It reminded us why we love playing it and why audiences keep asking for it.

The Lasting Impression

Many tribute shows rely on nostalgia, but this one did more. It showed how Lauper’s music still resonates, how her attitude still inspires, and how her songs continue to hold emotional weight. It wasn’t a memorial. It was a living document of her impact.

By the end of the night, with the Bowl bathed in rainbow lights and thousands singing “True Colors,” it was impossible not to feel the power of what she built. The message was clear: Cyndi Lauper isn’t just part of music history. She’s part of music’s DNA.

Melodies Under the Stars: An Unforgettable Night at Treehouse Pub & Eatery

Saturday night at Treehouse Pub & Eatery in Bettendorf, IA was one of those easy evenings that make outdoor shows a pleasure. The deck sits above a quiet stretch of Duck Creek, and with a light breeze and room to spread out, it felt made for an acoustic duo.

The Setting

Treehouse’s deck gives you trees, water, and plenty of space to relax. For our first time here, it was a comfortable fit: a steady flow of guests, good food moving across the patio, and a crowd that leaned in from the first few tunes.

Highlights from the Night

We kept the setlist familiar and let the songs do the heavy lifting. A few that landed especially well:

  • It’s the End of the World as We Know It — R.E.M.
  • Rikki Don’t Lose That Number — Steely Dan
  • And She Was — Talking Heads
  • This Guy’s in Love with You — Herb Alpert
  • Piano Man — Billy Joel

Midway through the evening we brought back Billy Joel’s Vienna after a long break, and the quiet that fell before the chorus told us we chose right. We also had a birthday table; everyone joined in for Happy Birthday, which turned into an easy singalong and a nice reset before the next set.

A Couple of Stories

Someone tipped us with a $10,000 bill—novelty money, of course—but it got a laugh up and down the rail. On a practical note, Greg had a bit of a health scare the next morning, which brought a reminder to take care of the basics: hydration and balanced meals. A potassium dip isn’t the encore anyone wants, so we’re building in better pre-show routines.

What’s Next

We wrapped up the night with a quick chat about future dates, and we’re happy to share we’ll be back at Treehouse Pub & Eatery on October 17 and November 1. Big thanks to Brian and the Treehouse team for the welcome and an easy first show on the deck. We’re looking forward to seeing familiar faces—and a few new ones—when we return.

If you’re looking for an acoustic duo for your patio night, private party, or a relaxed dinner crowd, we’d love to help you set the tone. Book us for your next event.

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