About: Bell & Field

Ready for another enchanting evening? On May 16, join us at Crescent City Tap in Galva, IL, for a night that beautifully marries the soulful acoustics of Bell & Field! The show starts promptly at 6:00 PM and draws to a close by 9:00 PM, promising a relaxed yet spirited evening.

Event Details

• When: Friday, May 16, 6:00–9:00 PM
• Where: Crescent City Tap – 336 Front St, Galva, IL 61434
• Who: Live acoustic performance by the renowned duo, Bell & Field
• What to Expect: An inviting mix of classic tunes, creative cocktails, and a handpicked wine tasting event that elevates your night out.
• Website: Crescent City Tap

About Bell & Field:

Celebrated for their seamless harmonies and timeless acoustic renditions, Bell & Field will once again charm the crowd. Their set, which draws inspiration from musical eras spanning the ’60s to the ’90s, is perfectly curated for a night where music and wine create an unforgettable ambiance.

The Venue: Crescent City Tap & Galva Spirit

Step into Crescent City Tap and immerse yourself in its unique French Quarter–inspired decor, a hallmark of Galva’s welcoming community. Known for its eclectic menu featuring craft beers, specialty whiskeys, and now a remarkable wine tasting experience, this venue is ideal for unwinding and discovering new favorites. Whether you’re enjoying the cozy indoor setting or the alluring outdoor seating, the charm of Galva is sure to enhance your evening.

Join Us for a Night to Remember

Gather your friends and indulge in a vibrant night where live music meets fine wine. Whether you’re a longtime admirer of Bell & Field or eager to explore the enticing food/drink selections, this event is designed to offer a memorable blend of rhythm, flavor, and community vibes. Which classic tune are you most excited about? Share your thoughts in the comments below!

Cheers to an extraordinary evening of live tunes, exquisite sips, and moments that will linger in memory at Crescent City Tap!

Last night, Tom and I returned to Craft on Seminary Street in Galesburg, IL, for our second Bell & Field show, and what a fantastic evening it was—one that left us truly grateful.

From the moment we arrived, Gina and Chris, the wonderful hosts and owners of Craft, greeted us with genuine enthusiasm and warmth. They have an incredible knack for making every guest feel special, and as performers, we deeply appreciate the kindness and hospitality they consistently extend to us. Craft isn’t just a restaurant—it’s a complete experience. Every dish and drink is thoughtfully prepared using locally sourced ingredients, clearly demonstrating their commitment to quality.

Performing at Craft offers its own unique charm. I particularly love playing on their beautiful Yamaha baby grand piano. As someone accustomed to gigging primarily with electronic keyboards, it’s genuinely delightful to play such an instrument. Yamaha truly knows how to create a piano with perfect action and exquisite clarity of tone. There’s an authenticity and intimacy that only a real piano can provide, enhancing our musical experience immensely.

Though it took us a little while to find our groove, by midway through the set, we were fully connecting with the audience—chatting comfortably and fulfilling requests like “Tiny Dancer,” “Piano Man,” and “Against The Wind.” This interaction elevated the whole evening, creating a warm and engaging atmosphere.

One highlight was seeing my mom, who made the journey from Lake Barrington just to support us—a reminder of how lucky we are to have such wonderful family backing us. Coincidentally, we also met a lovely couple—she was a nurse, and he also lived in Lake Barrington. They enjoyed our performance so much they’re considering having us perform at their wedding, which would truly be an honor. She mentioned having lost her mother a few years ago, and as we know, the healthcare profession can be incredibly stressful. Hearing how our performance helped her unwind and lifted her spirits was deeply rewarding for us.

A pair of young women joined us about halfway through our set and stayed enthusiastically until the end. Though we couldn’t fulfill their ABBA request, we offered Ringo Starr’s “Photograph” instead. I like to think its harmonies and vibe carry a similar spirit. Requests like these remind us how music connects people in meaningful ways, and judging by their smiles, we hope they enjoyed it just the same. Perhaps there’s an ABBA song destined for our future repertoire!

After wrapping up our performance, Craft treated us to an incredible dinner, presenting a variety of delicious dishes to sample and share, paired beautifully with a lovely bottle of Cabernet. To top off the evening, we even took home some genuinely out-of-this-world Tiramisu. This restaurant is a favorite of mine and my wife’s—the ambiance is calm and romantic, and again, the food quality is impeccable.

Craft also hosts live jazz every Tuesday from 5:30–7, featuring the incredibly talented Manuel Lopez III on piano and vocals. I recently had the pleasure of attending one of these shows, where Manuel shared the stage with a wonderful singer whose name, unfortunately, I didn’t catch. The music was truly impressive—it’s fantastic to discover such rare and genuine jazz talent right here in this area.

Nights like these make our musical journey deeply fulfilling. It isn’t about ego; it’s about the connections, laughter, and warmth shared among friends and strangers alike. The gratitude Tom and I feel driving home after evenings like this is immeasurable. Here’s to many more memories, many more years of music, and hopefully many more evenings shared with all of you.

The video for ‘My Golden Years’ by The Lemon Twigs grabs your attention from the first frame, bursting with retro flair and youthful energy. This track, is another of Bell & Field Music’s featured video picks that  exemplifies everything we love about great music and videos – it’s visually captivating, musically rich, and brimming with heart. The Lemon Twigs, a New York brother duo known for their genre-blending vintage sound, have crafted an infectious dose of nostalgia wrapped in modern vitality. The band channels classic rock vibes  with genuine passion.  With its uplifting melody and positive message, the track perfectly suits the hopeful spirit of spring, making it an ideal April pick.

Meet The Lemon Twigs: brothers Brian and Michael D’Addario, the masterminds behind the music. Still in their twenties, these multi-instrumental siblings have been earning acclaim for reviving the sounds of rock’s golden eras. Their previous album Everything Harmony (2023) dazzled critics and fans alike with lush harmonies and timeless songwriting, and now “My Golden Years” marks the beginning of a new chapter. It’s the first single they released after that album​ and the opening track of their 2024 LP A Dream Is All We Know​. The Lemon Twigs have never been shy about drawing from the past – and that’s exactly why we love them. This band’s deep appreciation for music history shines through in every note, yet their work never feels like mere pastiche. They take the warm, familiar elements of decades past and transform them into something uniquely their own and excitingly present.

Retro Visuals and Playful Storytelling

The music video for “My Golden Years” is a delightful trip back in time. Directed by Ambar Navarro, it comes across like a lost reel from the late ’60s – wonderfully comedic and unmistakably retro​. In the video, Brian and Michael (joined by their touring bandmates) portray a young rock band facing the highs and lows of chasing their dream. We see them scraping together spare change, getting evicted from a dingy apartment, lugging their instruments through town – yet doing it all with a tongue-in-cheek optimism. Every scene is imbued with a playful, almost slapstick humor reminiscent of classic band films and TV shows. (It’s no accident – the video openly nods to two of The Lemon Twigs’ biggest influences, The Beatles and The Monkees, masters of lighthearted musical comedy​.)

As the narrative unfolds, the visuals cleverly mirror the song’s themes of nostalgia and perseverance. The director explains that the “My Golden Years” video is about “looking back at the good old days, and the highs and lows of trying to make it as a band,” depicting struggles like being broke and getting kicked out, yet keeping a sense of humor throughout​. Indeed, even as the characters face rejection and hardship, they never lose their exuberance. In one moment, the brothers might be busking on a street corner; in the next, they’re thrown out of a club for playing their hearts out. But the climax is pure liberation: The Lemon Twigs find their peace and freedom performing together in an open field, strumming and singing joyously under the wide sky. It’s a cathartic, symbolic image – the band literally out in a field, no walls or limits, doing what they love. By the end of the video, you can’t help but feel uplifted.

The visual style amplifies the nostalgia at the song’s core. Shot with a vintage aesthetic (one can easily imagine it filmed on grainy 16mm stock), the video uses colorful period costumes and cheeky sight gags that could have come straight out of a 1967 episode of The Monkees. Quick cuts, exaggerated acting, and whimsical scenarios give it a charmingly old-school feel. Yet beneath the retro fun, there’s an earnest message: appreciate the journey and keep the joy alive, no matter the setbacks. That sentiment resonates universally, which is why “My Golden Years” doesn’t just look like a throwback – it feels timely and personal. Watching The Lemon Twigs clown through their misadventures, viewers of any age can relate to the notion of striving for one’s dreams and cherishing the “golden” moments along the way.

Musicality: Vintage Sounds with a Modern Twist

Of course, a music video is only as good as the song behind it, and “My Golden Years” is The Lemon Twigs at their musical best. The track is overflowing with the kind of rich, melodic craftsmanship that characterized the pop-rock classics of yesteryear. From the first notes, a sunshiney guitar riff hooks you in​ – it’s bright, catchy, and sets an upbeat tone. Layered on top are the band’s signature harmonies, which unfold as smoothly and sweetly as a lost Beach Boys gem​. In fact, those radiant vocal harmonies and the handclap-laden rhythm give the song some serious Pet Sounds-era vibes​, transporting listeners to a time when rock music was drenched in innocence and warmth. Yet alongside the nostalgia, the Twigs inject a fresh energy: the drums have a propulsive, toe-tapping groove that keeps the track feeling lively and modern, and the chorus bursts forth with undeniable sing-along power.

Younger brother Michael D’Addario takes the lead vocals here, and his performance is a revelation. Michael’s range and expressiveness make him a perfect frontman for this tune – one moment he’s cooing softly and angelically, the next he’s belting with a raw, gritty edge. That dynamic vocal approach brings depth to the song’s emotional arc, as if he’s embodying both the tender reflection and the passionate resolve behind the lyrics. Meanwhile, Brian D’Addario adds backing vocals and deftly intertwines his guitar lines, demonstrating the tight-knit musical chemistry the brothers have honed since childhood. The arrangement is lush but never overstuffed; every guitar strum, bass groove, and piano accent is placed just so, balancing retro flourish with crisp clarity. Credit must also be given to The Lemon Twigs’ production choices – in an age of digital everything, the band famously records their music on analog tape in their Brooklyn studio, using vintage equipment to achieve an authentic warmth. You can hear that analog glow in “My Golden Years.” The recording has a tangible depth and organic quality; it doesn’t sound like a modern pastiche of old styles, it genuinely feels like a long-lost hit from the ’70s that somehow still hits fresh ears just right in 2025.

Nostalgia and Reflection in the Lyrics

Beneath the bright melodies and playful video, “My Golden Years” carries a heartfelt message. The title itself hints at the reflective nature of the lyrics – it’s a song about recognizing that the time we’re living in right now could very well be the best time of our lives. The Lemon Twigs have noted that the track is about “making every minute count and living up to your potential”. In their typical whimsical fashion, they even joked that perhaps “people like Mark Ruffalo or people who hike might like the song” and that it’d be a good tune for working out​. Humor aside, the essence of that statement rings true: “My Golden Years” urges us to seize the day. As Michael and Brian sing in the chorus (paraphrasing here), in these golden years, don’t let fear hold you back, because in the blink of an eye you’ll watch them fly by. It’s a sentiment that anyone can relate to, young or old.

This theme of cherishing the moment and looking back fondly is one The Lemon Twigs deliver sincerely. One reviewer described “My Golden Years” as a cheerful bit of self-reflection for the band – they seem to be acknowledging how far they’ve come and realizing that the life they’re living now will become the fond memories they reminisce about in the future. Indeed, there’s a bittersweet undercurrent to the song’s happiness: a recognition that time moves quickly and today’s experiences turn into tomorrow’s nostalgia. The Lemon Twigs manage to capture that complex feeling – a mix of joy, gratitude, and a touch of melancholy – all within a breezy three-minute pop song. It’s songwriting like this that elevates “My Golden Years” beyond just a fun retro tune. The lyrics might be straightforward, but they tap into the universal anxiety about the passage of time and the determination to make the most of it. As listeners, we’re left not only humming the melody but also reflecting on our own “golden” moments.

“My Golden Years is about making every minute count and living up to your potential… in that sense I think that people like Mark Ruffalo or people who hike might like the song. Or it could be good while you’re working out.” — The Lemon Twigs, on the inspiration behind the song.

Channeling the Classics, Yet Utterly Contemporary

If “My Golden Years” feels like a classic hit from decades ago, it’s because The Lemon Twigs lovingly channel the spirit of the ’60s, ’70s, and ’80s in everything they do – but they also manage to remain utterly relevant in today’s music scene. Growing up on Long Island, Brian and Michael were raised on the sounds of rock’s golden age. (Their father, Ronnie D’Addario, was a musician who released Beatles-tinged pop tunes in the ’70s, so you could say this music is in their DNA.) The brothers immersed themselves in records by The Beatles, The Beach Boys, The Byrds, Big Star, Todd Rundgren – if it filled the airwaves of 1965–1978, it likely influenced the Twigs. You can hear these inspirations all over “My Golden Years”: the sunny harmonies (Beach Boys), the sparkling guitars and chiming chords (Byrds and Big Star), the theatrical flourishes and melodic ambition (a touch of Todd Rundgren or even Queen). Their sound is a veritable time machine of rock-pop glory.

Yet for all its vintage flavor, The Lemon Twigs’ music never comes off as a mere nostalgia act. Part of their magic is how they recombine those classic elements into songs that feel exciting and new. As veteran music journalist Rob Sheffield observed, the Twigs “do an old school style of power pop, but they’re reaching a new audience that doesn’t associate it with old school or nostalgia at all”. In other words, young fans hearing “My Golden Years” today might simply think it’s a great song – without realizing how many retro touchstones lie under its hood – and that speaks to the band’s relevancy. They’re introducing a new generation to the joys of analog-era rock by making it their own. It also helps that the band brings a youthful exuberance and irony that modern listeners connect with. They wink at the audience just enough to say “yes, we know this is a bit old-fashioned,” but then they play their hearts out with such sincerity that you’re swept up in the moment regardless.

The Lemon Twigs also capture the look and spirit of those past eras in their persona, bridging the gap between then and now. On stage, they dress the part in retro outfits and unabashed rock-star flair. (Brian’s flowing hair and vintage wardrobe even prompted Michael to joke that his brother was secretly Steve Perry of Journey – and indeed, Brian does bear a striking resemblance to a young Perry​!) Their live performances are full of classic showmanship – think rock-opera dramatics, big guitar solos, even the occasional Who-style leap or Beatles bow – yet they inject a youthful, tongue-in-cheek energy that feels very “2020s indie.” It’s this balance of homage and originality that has earned The Lemon Twigs a growing fanbase and critical praise. Last year, they landed on numerous “Best of” lists and even brought their retro flair to national TV, performing on The Tonight Show Starring Jimmy Fallon (complete with old-school leg kicks). The buzz around them makes it clear: The Lemon Twigs aren’t just reviving the past, they’re reimagining it for a new era.

In spotlighting “My Golden Years” this April, we’re celebrating the bridge between eras that The Lemon Twigs so brilliantly represent. Their video is a vivid reminder that music can be a time machine – transporting us to the feel-good spark of rock’s heyday even as it thrills in the present. After taking this technicolor nostalgia trip and hearing echoes of rock history blended with something new, one thing is clear: the D’Addario brothers are living in their moment and inviting us to share it. We hope you enjoy “My Golden Years” as much as we do – a featured pick that already feels like an old favorite, and a testament to embracing our own golden moments, today and always.

Ready to experience an unforgettable evening? On April 4, 2025, join us at Rams Riverhouse in Port Byron for a special night that pairs the signature sounds of Bell & Field with a refined wine tasting experience. The night’s performance begins at 7:00 PM and wraps up by 10:00 PM, ensuring an immersive and stylish affair that blends music with the scenic charm of Port Byron.

Event Details

• When: Friday, April 4, 2025, 7:00–10:00 PM
• Where: Rams Riverhouse – Port Byron, NY
• Who: Live acoustic performance by the acclaimed duo, Bell & Field
• What to Expect: An enchanting fusion of soulful tunes, expertly paired wines, and a delightful ambiance set against the backdrop of Port Byron’s waterfront charm.
• Website: Rams Riverhouse

About Bell & Field:

Bell & Field are celebrated for their intimate acoustic sessions that meld timeless melodies with modern artistry. Their refined sound and heartfelt vocals create an inviting atmosphere, making every note resonate with the passion and craftsmanship that defines their performances.

The Venue: Rams Riverhouse & Port Byron Charm

Set along the picturesque riverfront, Rams Riverhouse offers a sophisticated yet relaxed setting that mirrors the natural beauty of Port Byron. With a tasteful blend of rustic decor and contemporary comforts, the venue boasts both intimate indoor spaces and scenic outdoor views. Nestled in a town known for its friendly community and captivating vistas, this venue is the perfect backdrop for an evening of enchanting music and curated wine experiences.

Join Us for a Night to Remember

Gather your friends and immerse yourself in an evening where artful music meets carefully selected wines. Whether you’re a longtime admirer of Bell & Field or curious about the exceptional vibes at Rams Riverhouse, this event promises a delightful fusion of entertainment and elegance. What aspect excites you the most – the live tunes, the serene river views, or the exquisite wine tasting? Share your thoughts in the comments below!

Cheers to a night filled with soulful melodies, scenic charm, and cherished memories at Rams Riverhouse!

Last night, we enjoyed a fun evening, performing at Crescent City Tap. The venue was bustling thanks to the heavy promotion and a wine tasting event coinciding with our show—perfect timing! As wine enthusiasts, we always appreciate the chance to drink some new Cabernets that aren’t typically available here. Delicious wine before a show? Count us in every time!

The staff and guests made some extra space for us by moving the massive pool table backward—a true beast to lift. That extra room allowed us to put up our black backdrop curtain, dramatically enhanced with four uplights and complemented by four 4-bars filling the ceiling and performance area with warm, inviting colors. It created exactly the comfortable atmosphere we always aim for.

Our goal with Bell & Field isn’t to be the center of attention but rather to provide the right music to complement good conversation, food, and drinks. As such, we often focus on laid-back tunes that set a relaxed mood—which seemed to be a good fit for the crowd that night. We were excited to debut some classic songs we’ve recently added to our set, including “I Love A Rainy Night” by Eddie Rabbit, “Blue” by the Jayhawks, and the beautiful “Beautiful Boy” by John Lennon.

A highlight for me personally was receiving a special request for “Vienna” by Billy Joel. I love Billy Joel, and also performed, “My Life” and “New York State of Mind” that night. We wrapped up our planned set with Billy Joel’s timeless “Piano Man,” the audience enthusiastically sang along. Inspired by the high spirits, we received a hefty tip to keep the music flowing. We happily continued, choosing crowd-favorites “Brown Eyed Girl” and “Sweet Caroline” to maintain that energy, which is great for closing out a show.

It’s always rewarding to see familiar faces and friends in the audience, adding a personal touch to each performance. Additionally, it was great to meet some new staff members who contributed positively to the welcoming atmosphere. I even had a chance to reconnect with someone who had hired me for a solo backyard party event years ago. Hopefully, their next event will include both of us as Bell & Field!

Thanks again to everyone who joined us and made the evening special. We’re excited to return to Crescent City Tap on May 16. Mark your calendars—we can’t wait to share another wonderful evening filled with good friends, great music, and maybe even some more delicious wine!

When singer-songwriter Sara Bareilles welcomed fellow troubadour Rufus Wainwright on stage at the Kennedy Center to sing “She Used to Be Mine,” the result was nothing short of magical. This unique collaboration – part of Bareilles’ New Year’s Eve concert with the National Symphony Orchestra – became a viral sensation and an emotional high point of the night. Bareilles, a “pop icon, multi-faceted artist and activist,” and Wainwright, a “trailblazing power-tenor” with a genre-blending style, joined forces to reinvent the Waitress anthem​.

The performance captivated the sold-out concert hall and soon the internet, proving that when two master storytellers meet, sparks fly.

Setting the Stage: A Special Night at the Kennedy Center

This show took place on December 31, 2024, as part of PBS’s Next at the Kennedy Center series.​

The evening was a career-spanning celebration of Bareilles’ music, backed by the National Symphony Orchestra and featuring special guests. Rufus Wainwright was one of those guests, stepping into Bareilles’ world for a much-anticipated duet. Bareilles has seemingly done it all – from penning chart-topping pop hits to starring on Broadway – but even she had never performed an orchestral concert of her own music until this moment. Wainwright, an acclaimed singer-songwriter himself, was an inspired choice of partner for this song. In fact, Bareilles was a long-time admirer of his, she revealed, describing how a casual Instagram exchange led her to boldly invite him to sing with her – an invitation that “he said yes” to, much to her delight​. It was an unexpected pairing of two distinct artists, brought together by mutual respect and the promise of creating something special.

This was the first time I got to meet Rufus Wainwright. I have been a super fan of his since I was in my late teens,”

The song they chose could not have been more fitting. “She Used to Be Mine” is the soul-stirring ballad Bareilles wrote for the Broadway musical Waitress. It’s the emotional centerpiece of the show – a “critically acclaimed musical theater super-hit” as PBS describes it​ – known for reducing audiences to tears with its raw honesty. By performing it as a duet, Bareilles and Wainwright aimed to shed new light on the song’s emotion. The Kennedy Center audience, full of devoted fans, instantly understood they were about to witness a once-in-a-lifetime interpretation of a modern classic. Little did everyone know, the two singers had only met in person that week and – remarkably – only rehearsed the song once together before performing it live​. Perhaps that spontaneity added an extra edge of excitement; what unfolded on stage was a moment of pure musical synergy that felt both fresh and deeply assured.

Sara Bareilles – A Storyteller at the Piano

To appreciate this performance, it helps to know each artist’s background. Sara Bareilles is often praised for her storytelling in songwriting and her warm, powerhouse vocals. Breaking through with the 2007 hit “Love Song,” she built a career on piano-driven pop melodies that balance clever craft with confessional heart. Her style draws from pop, soul, and even folk influences, but above all, she has a theatrical streak – evident in the emotional arcs of her songs and her later foray into musical theater.

Career Highlights: Bareilles is a true multi-hyphenate. Some standout accomplishments include:

• Chart-Topping Songs: Bareilles achieved multi-platinum success with singles like “Love Song” and “Brave,” showcasing her knack for catchy melody and relatable lyrics.
• Broadway Composer & Star: She wrote the music and lyrics for the Broadway musical Waitress (2016) – earning a Tony nomination – and even took on the lead role herself in an acclaimed run​. In 2022, she wowed Broadway again as the Baker’s Wife in Into the Woods, for which her performance (and soaring vocals) earned rave reviews​.
• Acting & Television: Bareilles co-created and starred in the comedy series Girls5eva and has appeared in live TV musicals, proving her versatility on screen as well as on stage.

Beyond the resume, Bareilles is beloved for her down-to-earth personality and authenticity. She often writes about self-doubt, hope, and empowerment with disarming honesty. (It’s no surprise she’s also an outspoken activist for causes like women’s rights and LGBTQ+ equality.) On stage, she radiates a generosity of spirit – the kind of performer who makes a concert hall feel intimate. All of these qualities shine through in “She Used to Be Mine,” a song Bareilles has called “a page out of my diary” in its deeply personal nature​.

Small wonder that with Bareilles at the helm, the Kennedy Center audience was prepared for an emotionally truthful performance.

Rufus Wainwright – The Trailblazing Troubadour

Rufus Wainwright, on the other hand, brings a different flavor of artistry. If Bareilles is a pop storyteller with a Broadway soul, Wainwright is often described as a baroque-pop or operatic troubadour – a singer-songwriter who fuses classical influences and theatrical flair into contemporary songwriting. He came up in the late ’90s as a critical darling, acclaimed for his lush melodies, poetic lyrics, and a voice that can be both tender and grand. Wainwright’s vocals are distinctive: a rich tenor with a sweeping range (PBS aptly calls him a “trailblazing power-tenor”​) that can crest into a delicate falsetto. There’s a dramatic, almost old-world cabaret quality to his performance style, which made him a fascinating complement to Bareilles on this song.

Career Highlights: Wainwright’s career has been marked by bold artistic ventures and widespread respect from his peers. For example:

• Critically Acclaimed Albums: His early albums like Poses (2001) and Want One (2003) earned him a devoted following. Rolling Stone and other outlets praised his songcraft, and his song “Hallelujah” (a cover of Leonard Cohen’s classic) became widely known, introducing his voice to many new listeners.
• Genre-Blending Projects: Wainwright has never been confined to pop/rock – he composed a full-length opera (Prima Donna, premiered in 2009) and famously recreated Judy Garland’s 1961 Carnegie Hall concert in a live tribute performance. These projects highlight his love of classical music and stage tradition, woven into his identity as a modern singer-songwriter.
• Accolades and Influence: Fellow musicians hold Wainwright in high esteem. Even Elton John once hailed him as “the greatest songwriter on the planet”​ – high praise that underscores Wainwright’s songwriting prowess and unique voice in the music world. He’s a true artist’s artist, unafraid to take risks and chart his own path.

Personally, Rufus Wainwright is known as an expressive, candid performer. He was one of the first openly gay male artists to achieve mainstream success in pop, and he’s used that platform to advocate for LGBTQ+ representation. On stage, he often dresses flamboyantly and engages audiences with witty banter and emotional vulnerability in equal measure. All of that distinctive character – the romance, the drama, the vocal agility – he brought with him to the Kennedy Center for this duet. Bareilles joked that her criteria for inviting guests was basically “who’s a great hang,” and Wainwright fits the bill.​

More importantly, she knew his artistic sensibilities and emotive voice could meet her song on equal footing. As Bareilles said, “I was kind of shocked [he agreed], but over the moon” to have him join​. With Wainwright on board, her beloved ballad was about to get a gorgeous new twist.

How and Why This Collaboration Happened

So how did these two end up singing “She Used to Be Mine” together? The seed was planted by fate (and social media). In a fun anecdote, Bareilles shared that she once posted a video of herself wearing a Rufus Wainwright T-shirt – which caught Wainwright’s attention online.​

The two exchanged messages, and Bareilles half-jokingly dared him to let her collaborate someday. When she began planning her Kennedy Center orchestral concerts, she saw the perfect opportunity and invited him as a guest. “He said yes,” Bareilles recounted, still sounding a bit amazed at her luck​. It was a fan’s dream come true for her – getting to sing with an artist she idolized – and Wainwright himself seemed excited to step into a new musical environment with Bareilles and the NSO.

Choosing “She Used to Be Mine” as their duet was a no-brainer. This song is one of Sara Bareilles’ signature pieces – the emotional climax of Waitress – and arguably her most famous ballad. In the musical, it’s performed solo by the lead character Jenna, a woman lamenting the loss of her younger self and dreams. Bareilles, however, has often noted how personal the song is to her own life, despite writing it for a fictional character. (“The circumstances are different, but [Jenna’s] personality… that feels like a page out of my diary,” she’s said​.)

Because the song already carries so much of Bareilles’ heart, sharing the vocals with another singer could unlock even more depth.

Why Rufus Wainwright for this song? For one, his vocal style is ideally suited to heartfelt, melodic material. Wainwright can deliver sincerity without shying away from drama – and “She Used to Be Mine” lives in that sweet spot of quiet introspection swelling into catharsis. There’s also a thematic resonance: while the song is written from a woman’s perspective, its core sentiment is universal – reflecting on who you used to be versus who you’ve become. Wainwright, as an openly gay man and a new father (at the time), likely found his own connection to the song’s message of love and longing for one’s past self. By singing it as a duet, they essentially turned the song into a conversation or a shared confession, almost as if two halves of the same soul were speaking. Bareilles took the invitation further by arranging to have the full National Symphony Orchestra accompany them, giving the piece a sweeping grandeur.

It’s worth noting that this Kennedy Center concert was not just a one-off gig; it was filmed for television and meant to be a celebration of Bareilles’ artistry. The duet with Wainwright served as a highlight of that celebration, “a tribute to Bareilles’ contributions to music and theater,” as one outlet described the event.​

In other words, Bareilles was curating moments that reflected her musical journey – and “She Used to Be Mine” is arguably the crown jewel of her songbook. Having Rufus Wainwright join her on that song showed her confidence in re-imagining her biggest hit, and her generosity in sharing its spotlight. It also symbolized how far the song had traveled beyond its origins: from a Broadway stage to a grand concert hall, embraced by another acclaimed songwriter in duet.

Musical Chemistry Onstage: Why the Performance Soared

From the moment the first piano notes and orchestral strings of “She Used to Be Mine” sounded, it was clear this performance was going to be special. Bareilles began the song in her signature style – seated at the piano, voice quiet and brimming with emotion on the opening lines. Wainwright stood at her side with a microphone, entering subtly on harmony in the first chorus. Though the duet arrangement was simple, it was profoundly effective: they traded lines occasionally, but mostly Wainwright layered his voice around Bareilles’, amplifying the feeling rather than altering the melody’s story. His vocal timbre, with that slight vibrato and ache, wrapped around her pure tone like a delicate veil. In the verses, he’d often hold back, letting her voice carry the narrative, then join on key phrases (“she is messy but she’s kind… she is lonely most of the time“) to reinforce them like an echo of empathy.

As the song progressed, you could sense Bareilles and Wainwright finding a groove – pretty astonishing given they’d only just met and had minimal rehearsal. In fact, according to one account Wainwright told the crowd beforehand that it was literally their first time performing together after just a single run-through.​

Yet their artistic chemistry was immediate. They frequently locked eyes or smiled in mutual understanding of a poignant lyric. There was a palpable respect between them; neither one tried to outshine the other. Instead, they listened and responded in the moment – the hallmark of seasoned musicianship. Critics later hailed the duet as a standout moment of the evening​, noting how Bareilles’ heartfelt delivery “was matched by Wainwright’s ethereal vocal quality”​. It felt like two storytellers truly in conversation, merging their voices into one storytelling force.

Musically, the arrangement built slowly to an emotional peak. The National Symphony Orchestra, under conductor Steven Reineke, added new colors to the song’s usual piano-only backdrop. Subtle woodwinds and strings swelled in the second verse, and by the bridge the orchestra was adding weight to every surge of feeling. The dynamics were exquisite: Bareilles would crescendo from a near-whisper to a full belt, and Wainwright would either support her with a low harmony or soar above her with a high counter-melody. One especially breathtaking choice was in the final chorus – Bareilles belted the lyric “she used to be mine” with all the ache and strength in her soul, holding a climactic note, and at that very moment Wainwright slid into a high falsetto harmony above her, sustaining the word “mine.” The effect was spine-tingling. His voice floated like a ghost of Jenna’s past self, augmenting Bareilles’ passionate cry with a haunting parallel emotion. It’s a brief moment, but it gives goosebumps – you can feel the emotion as the two voices entwine. (For a taste of this chill-inducing climax, watch around 3:20 in the performance video to witness that harmony.)

Beyond the vocal techniques, what made the performance so masterful was its emotional transparency. Both artists committed 100% to the lyric. Bareilles, as the song’s writer, delivered every line as if confessing it anew. Wainwright, coming into a song he didn’t write, nevertheless gave himself over to its story – you can see him close his eyes on certain lines, almost becoming the character or perhaps channeling his own life experiences through the words. The authenticity of their interpretation was unmistakable. As one reviewer raved, “This wasn’t just a song; it was pure, heart-wrenching storytelling, packed with raw vulnerability and soul-shaking harmonies.”​

Indeed, the duet transcended a typical concert number; it felt like a piece of theater, a shared emotional journey that the audience was lucky enough to witness.

When the last notes faded, there was a brief moment of awed silence before the Kennedy Center crowd leapt to their feet in a fervent standing ovation. You can imagine people blinking back tears. Bareilles and Wainwright exchanged an embraced smile – a look of we did something special here – as the audience applauded wildly. On social media, clips of the performance quickly made the rounds, garnering astonished comments from casual viewers and fellow musicians alike. (The PBS video has since racked up hundreds of thousands of views, spreading the moment far beyond the concert hall.) It’s rare that a live duet lives up to the lofty expectations of fans, but this one did that and more. One fan’s reaction perhaps said it best: “This is my favorite duet I have ever heard in my whole life – a masterful piece of art.”​

Such was the impact of Bareilles and Wainwright’s combined talents.

The Song’s Resonance: Why “She Used to Be Mine” Hits Home

At the heart of this performance’s power is, of course, the song “She Used to Be Mine” itself. Since its debut in 2015, this ballad has taken on a life far beyond the Waitress musical. It has become an anthem of self-reflection and empathy, embraced by a broad audience. The lyrics describe a woman recognizing how much she’s changed – “She’s imperfect but she tries… She is gone but she used to be mine.” It’s a mournful apology and a love song to one’s own former self. You don’t have to be a pie-baking waitress or even a woman to feel the gut punch of those words. We all have moments in life where we look in the mirror and wonder where the hopeful version of us went. Bareilles captured that feeling so beautifully that the song has resonated across generations and backgrounds. “I think everybody can relate to the idea that no matter where you ended up, you ended up different than you thought you would be,” Bareilles has said, explaining why the song connects, “We all have to reconcile the differences between who you thought you would become and who you actually ended up being.”​

I think everybody can relate to the idea that no matter where you ended up, you ended up different than you thought you would be.

That universal truth, wrapped in gentle poetry and soulful melody, is what gives “She Used to Be Mine” its enduring impact.

Because of this relatability, the song has inspired countless cover versions. From Broadway actors performing it in auditions, to pop stars like Kelly Clarkson belting it on TV, to aspiring singers on YouTube – everyone wants to sing this song. In fact, by 2019 Bareilles noted that “She Used To Be Mine” had already sparked “thousands of internet covers” and sing-alongs, becoming the standout number that audiences request most​.

It’s rare for a theater song to break into the pop culture consciousness like that, but this one did. There’s just something healing in it. It starts as a sad solo piano ballad, almost like a diary entry, but by the end it swells into a triumphant declaration of dignity and self-worth, even in brokenness. As a listener, it’s hard not to feel seen and comforted by that journey.

Bareilles and Wainwright’s duet amplified all those feelings. By turning the solo into a shared experience, they almost made it about community – two people (and by extension the whole audience) collectively acknowledging the pain of losing oneself and the hope of finding oneself again. The orchestral arrangement added further emotional weight; those sweeping violins behind the line “for the girl that I knew” made it even more cinematic and tear-jerking. If the song normally feels like a personal prayer, this rendition felt like a universal anthem. Many viewers commented that it gave them chills or moved them to tears, even if they’d heard the song many times before. That speaks to the fresh perspective the duet brought. Wainwright’s presence introduced a new texture and a sort of dialogue, while Bareilles’ unwavering sincerity kept it grounded.

Another reason the song resonates so deeply is Bareilles’ talent for balancing darkness with light. “She Used to Be Mine” doesn’t shy away from regret, loneliness, or disappointment – “she’s not what I asked for” – but it ultimately brims with compassion. It’s about learning to love the person you are, despite the scars of life. In the Kennedy Center performance, when Bareilles and Wainwright reached the final lyric, “to be mine,” there was an overwhelming sense of acceptance, even joy. Two friends (new friends, at that!) were singing out a hard truth and simultaneously lifting each other up through it. It was a potent reminder of why we love music: it allows us to feel complex emotions in a safe, shared space.

A Masterclass in Musical Storytelling

In retrospect, the Sara Bareilles–Rufus Wainwright duet of “She Used to Be Mine” stands as a shining example of what live music can achieve at its best. It combined virtuosic skill (two exceptional vocalists at the top of their game) with emotional storytelling of the highest order. As one music publication aptly summarized, the performance was “a masterclass in emotional storytelling through song.”​

Both artists brought their unique strengths – Bareilles’ crystal-clear voice and heartfelt urgency, Wainwright’s soaring range and dramatic flair – and in blending them, created something even greater than the sum of its parts. The collaboration came about almost by chance, but it felt predestined once you saw it: here were two very different singer-songwriters finding common ground in a song that speaks to the soul.

The Kennedy Center setting and orchestral backing gave the moment a grandiosity, yet Bareilles and Wainwright managed to make a large hall feel hushed and intimate, as if we were eavesdropping on a personal confession. The artistic chemistry and trust between them, despite barely knowing each other, was remarkable. You could tell they were generous performers, each one truly listening and reacting to the other. That generosity made the duet feel harmonious in more than just the musical sense – it was two human beings connecting through art.

In the end, why do we keep talking about this performance? Because it reminded everyone who watched it of the transformative power of music. A great song can carry so much meaning, and when interpreted by great artists in harmony, it can hit with almost overwhelming force. “She Used to Be Mine” already resonated with so many people; seeing Sara Bareilles and Rufus Wainwright pour their hearts into it together was a gift to all of us who have ever felt like the person we see in the mirror is a far cry from who we once were. The performance was melancholy yet hopeful, grand yet deeply personal. It was the kind of musical moment that gives you chills in the moment and stays with you long after.

As the final ovation died down that night, one thing was clear: this duet had become an unforgettable piece of music history for fans of both artists. “Celebrating Bareilles’ impact on music and theater, this moment proved just how timeless and powerful ‘She Used to Be Mine’ really is,” one publication wrote in praise.​

Indeed, timeless and powerful are the perfect words. This song, and this performance of it, will continue to resonate for years to come – a masterful meeting of minds and voices that reminds us of who we used to be, who we are, and why we love music in the first place.

Celebrate Father’s Day with a relaxing afternoon filled with great food, heartfelt melodies, and cherished moments! Join us on Sunday, June 15, 2025, at Tuggers in Port Byron, IL, from Noon to 3:00 PM, for a special Father’s Day event featuring the soulful acoustic sounds of Bell & Field.

Event Details

• When: Sunday, June 15, Noon–3:00 PM
• Where: Tuggers – 201 N Main St, Port Byron, IL 61275
• Who: Live acoustic performance by the acclaimed duo, Bell & Field
• What to Expect: Celebrate Dad with classic hits, smooth harmonies, and a delicious seasonal lunch menu in a relaxed and inviting atmosphere.
• Website: Tuggers

About Bell & Field:

Bell & Field are celebrated for their smooth harmonies and an impressive repertoire that spans decades, creating an intimate and inviting atmosphere. Their performance is designed to complement the easygoing charm of Tuggers, offering an acoustic set that enhances your midday dining experience.

The Venue: Celebrate Father’s Day at Tuggers

Make Father’s Day memorable at Tuggers, Port Byron’s favorite gathering spot. Known for its inviting atmosphere, delicious seasonal dishes, and warm hospitality, Tuggers perfectly captures the spirit of community and celebration. Choose indoor seating for a cozy meal or relax outdoors while enjoying vibrant tunes—whichever you choose, it’s sure to be a Father’s Day to remember!

Join Us for a Father’s Day Celebration

Bring Dad, family, and friends together for an afternoon filled with live acoustic music, fantastic food, and the warmth of community spirit. Share this special occasion with Bell & Field at Tuggers—a Father’s Day experience he’ll cherish.

What song would your dad love to hear on Father’s Day? Let us know below!

Cheers to making Father’s Day special with great food, unforgettable music, and lasting memories at Tuggers!

Ready to kick off your spring evenings with exceptional live music and a chic atmosphere? On May 23, join us at The V’ue in Clinton, IA, for a captivating night that pairs the soulful stylings of Bell & Field with a refined ambience that only this unique venue can offer. The show starts at 7:00 PM and winds down by 9:00 PM—perfect for an intimate musical escape.

Event Details

• When: Friday, May 23, 7:00–9:00 PM
• Where: The V’ue – 137 5th Ave S, Clinton, IA 52732
• Who: Live acoustic performance by the acclaimed duo, Bell & Field
• What to Expect: An elegant blend of timeless acoustic tunes, a relaxed atmosphere, and a venue that reflects Clinton’s vibrant spirit. Whether you’re winding down after a long day or setting the mood for your night out, this event promises charm and quality entertainment.
• Website: The V’ue

About Bell & Field:

Bell & Field have earned accolades for their harmonious blend and timeless repertoire. Their intimate, acoustic performances are crafted to create a warm, inviting atmosphere—ideal for those moments when music and ambiance come together to create magic.

The Venue: The V’ue & Clinton Charm

Step into The V’ue, a modern and stylish venue right in the heart of Clinton, IA. Known for its contemporary design, ambient lighting, and vibrant energy, The V’ue offers an inviting setting that perfectly complements the soulful tunes of Bell & Field. Located on 5th Ave South, this hotspot embodies the creative and dynamic pulse of Clinton, making it the ideal backdrop for a night of unforgettable live music.

Join Us for a Night to Remember

Gather your friends and be part of an evening where exceptional sound meets urban sophistication. Whether you’re a longtime fan of Bell & Field or seeking a new experience in a venue that celebrates the artistic spirit of Clinton, this night is set to impress. What song or moment are you most excited about? Share your thoughts in the comments below!

Cheers to an evening of soulful tunes, stylish surroundings, and memories in the making at The V’ue!

Hi, I’m Greg—52 years old, with a jazz piano degree. I’ve spent most of my adult life gigging. For ten memorable years, I performed in the high-energy world of dueling pianos, initially drawn by the excitement and financial perks. However, my naturally quiet and shy personality eventually led me to seek a more sustainable, authentic musical experience. Today, I enjoy calmer, more personally fulfilling gigs with my duo band, Bell & Field.

If you’re a gigging musician struggling to find the perfect balance between sound, portability, and playability, I’ve been there—and here’s what I’ve learned.

Finding the Right Gear: A Crucial Balance

Choosing gear has always been crucial for me. Balancing sound quality, portability, and playability became my obsession.

Initially, I thought I needed two keyboards:

• One to stay permanently set up at home.
• Another dedicated exclusively to gigging, reducing the stress of constant transport.

However, after extensive trial and error, I ultimately realized I needed just one keyboard that could excel in both areas. Here’s my journey through various setups:

Roland FP-90X: My Home Studio Powerhouse

I initially chose the Roland FP-90X for its advanced “Pure Acoustic Modeling,” promising superior realism over sampled sounds. Unfortunately, while the action was unparalleled, I wasn’t convinced by the modeled tone.

• ✅ Exceptional key action, unmatched by any other keyboard I’ve played.
• ✅ Powerful internal speakers (60 watts) that provide rich, full sound.
• ✅ Intuitive sliders make live adjustments effortless.
• ✅ Gorgeous and easy controls.
• ⚠️ At 52 lbs, transporting this keyboard became cumbersome—especially up and down stairs.
• ⚠️ Slight “toy piano” undertone remained despite extensive EQ tweaking.

Due to its weight, price tag ($2,000), and tonal limitations, the FP-90X might have stayed safely in my home studio, had I not found a better alternative.  I seriously considered the Yamaha P-525 to be that replacement, but it too, was heavy and bulky for me to carry up and down the stairs all the time.  If I were to have two keyboards, I knew that one would stay in the house and the other in the car.  While that was initially appealing, the summer heat and winter cold would put unnecessary stress on the electronics.

Kawai ES120: A Temporary Gigging Companion

During my search, the Kawai ES120 briefly became my gigging keyboard due to its practicality and portability:

• ✅ Lightweight and extremely easy to transport.
• ✅ Practical keyboard action for its weight class.
• ✅ Internal speakers adequate for monitoring and quiet practice.
• ✅ Bluetooth connectivity for streaming pre-show playlists—a great bonus!
• ⚠️ Included sustain pedal is flimsy—I recommend upgrading to Kawai’s sturdier F-10H ($69).

However, after purchasing the ES120, I still wasn’t fully satisfied. The portability was great, but the sound didn’t fulfill my needs on stage. Or to be perfectly blunt, the sound had the lowest quality compared with all the models I mention in this post.  That is not to say it was poor.  It may have even out-performed a Yamaha P-255 (it’s a tight race), but I had my sights on something more realistic to my tastes and experiences.

Yamaha MX88 & Casio Privia PX-560M: Valuable Lessons Learned

Previous keyboards taught me crucial lessons about my priorities:

• Yamaha MX88: Phenomenal sampled sounds with realistic piano tones but lacked internal speakers, had mediocre action, and was just slightly too bulky (30.6 lbs). Great keyboard!
• Casio Privia PX-560M: Great portability and decent action but eventually some keys were wearing out and it is now discontinued. I loved this as a gigging companion.  Could I do even better?

Enter The Yamaha CK88: My Ultimate Gigging Solution

After all these trials, I found my perfect match—the Yamaha CK88. It delivers exactly what I need:

• ✅ Phenomenal piano, electric piano, and organ sounds—exactly the tonal quality I sought.
• ✅ Good, responsive key action—comfortable enough for extensive gigging.
• ✅ Highly portable and practical for gigging. Heavier than the Casio Privia and Kawai, but lighter than the other mentioned models.
• ✅ Internal speakers, though modest, are sufficient for home practice without extra setup.  Sounds incredible through external speakers!
• ✅ A significant cost-saving solution compared to maintaining two keyboards.
• ✅ It even has the practical Bluetooth technology that I enjoy for streaming music pre-show or during a short break.

Yes, the internal speakers aren’t as robust as the FP-90X, but that’s a small compromise easily solved by external amplification during gigs. Play this through external speakers and you’ll soon understand why this keyboard is a winner!

A Great Experience At The Guitar Center In Davenport

On top of finally finding an amazing keyboard, I had a fantastic experience purchasing the CK88 at Guitar Center in Davenport. I often feel skeptical about Guitar Center, as previous experiences weren’t always positive. However, Devon changed my perspective completely. Although he’s not a keyboard player, he’s an experienced musician with attention to detail. He authentically understood my needs, genuinely supported my decision, and provided an excellent buying experience. I appreciated our conversation about musical backgrounds, and it was a true pleasure to meet him. Devon is my go-to person now—he’s the real deal! Even Tom had a similarly positive interaction with Devon, solidifying my trust. Be sure to ask for Devon if visiting the Guitar Center in Davenport.  He is the sales manager.

Returning gear isn’t fun, but sometimes it’s necessary—especially when stores don’t have your desired product on hand to try out in advance. Thankfully, this experience was great, and I’m thrilled to have settled confidently on the Yamaha CK88.

My Gigging Essentials: Piano Shells & Professional Setup

My gear doesn’t end with my keyboard.  To elevate my stage presentation, I use a piano shell from Keyhole and at home I keep a beautifully designed prop-top from Presto Piano—a sister company to Felix and Fingers Dueling Pianos, where I also serve as CTO. Speaking of which—I built the websites for Felix and Fingers, Presto Piano (check those shells out!), and Bell & Field (where you’re reading this post!). Hope you like my work! 😊

My current lighting setup includes:

• Chauvet Bluetooth Products: 4 Chauvet uplights and 4 Chauvet 4-bars, controlled through the BT Air app.
• Carefully crafted lighting scenes that complement our music with soft, expressive visuals.
• A black backdrop curtain to enhance stage aesthetics.

We take pride in our professional setup—no corners cut—and it’s a genuine pleasure performing in our thoughtfully prepared mobile “office” every week.

My Dream Keyboard: Could It Exist?

My ideal keyboard would feature:

• Roland FP-90X’s unmatched action
• Yamaha MX88’s authentic piano realism
• Casio Privia PX-560M’s lightweight portability

Come to think of it, I am pretty darn close with the Yamaha CK88!  I’m looking forward to getting to know this keyboard even more.

Final Thoughts for Fellow Musicians

Choosing the right gear is always a balancing act. Prioritize what makes your performances enjoyable and practical:

• Never underestimate portability.
• Don’t compromise too much on sound realism.
• Always value the feel of your keyboard action.

Stay true to what matters most to you, and don’t be afraid to try, return, and refine until you get it right!

I’ll update this post soon once Tom shares his own experiences with his recent guitar gear adventures.

I’d love to hear from you!

What’s your current gigging setup? Any favorite gear recommendations or surprising discoveries? Share your thoughts in the comments below!

Are you ready to make your Saturday unforgettable? Mark your calendars for August 9, 2025, and join us at the historic Loyal Order of Moose in Joliet, IL for an enchanting night of live music and a special wine tasting experience. The event runs from 6:00 – 9:00 PM, providing the perfect ambiance to enjoy the smooth sounds of Bell & Field while exploring hand-selected wines that complement the evening’s vibe.

Event Details

• When: Saturday, August 9, 2025, 6:00–9:00 PM
• Where: Loyal Order of Moose – 25 Springfield Ave, Joliet, IL 60435
• Who: Live acoustic performance by the talented duo, Bell & Field
• What to Expect: A soulful mix of classic tunes, carefully paired wines, and an intimate setting that showcases the unique blend of Joliet’s urban energy with a touch of nostalgic charm.
• Website: Loyal Order of Moose

About Bell & Field:

Bell & Field are celebrated for their seamless harmonies and timeless repertoire that spans several decades. Their acoustic performance is designed to create a warm, immersive experience that pairs beautifully with a curated selection of wines, making each performance a heartfelt journey through sound and flavor.

The Venue: Loyal Order of Moose & Joliet Heritage

Step into the Loyal Order of Moose—a venue steeped in history and community spirit. Located in downtown Joliet, this iconic venue has been a hub for cultural events and local gatherings. Its blend of vintage charm and modern amenities sets the stage for an evening that’s both relaxed and engaging. Whether you’re a longtime resident or a curious visitor, the Loyal Order of Moose offers a welcoming atmosphere where art, history, and community converge.

Join Us for a Night to Remember

Gather your friends and make your way to an evening filled with live music, delicious wines, and unforgettable memories. Whether you’re a devoted fan of Bell & Field or eager to discover a new wine pairing, this event promises a perfect fusion of sound, taste, and local flair. Which classic tune or exotic wine are you most excited to experience? Let us know in the comments below!

Here’s to a dazzling night of live music, delightful sips, and the rich heritage of Joliet at the Loyal Order of Moose!