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We hope everyone is enjoying the early vibes of February. Just in time for Valentine’s Day, we’ll be playing at Copper & Oak Bourbon and Craft Beer Bar on Saturday, February 14, 2026, from 6 PM to 9 PM.

This one is a little extra special. It’s a Valentine’s Day show, and we’ll be leaning into the mood with a set that features plenty of timeless love songs and romantic classics from years past. If you’re looking for a cozy night out (or a low-key date night), or just want to enjoy the music with family and friends, come join us in Lincoln at this warm spot known for its cold craft beer and unique whiskey offerings.

Copper & Oak has a welcoming atmosphere with an outdoor patio that’s great for sipping drinks in a relaxed setting. We’re really looking forward to playing our blend of acoustic tunes, setting the tone for the evening, and enjoying some good conversations with you all.

Show Details

• Date and Time: February 14, 2026, from 6 PM to 9 PM
• Venue: Copper & Oak Bourbon and Craft Beer Bar, 227 N Kickapoo St, Lincoln, IL 62656
• Who’s Playing: Bell & Field (with special guest saxophonist Paul Weddle)
• What to Expect: Acoustic set, relaxed atmosphere, Valentine’s Day vibes, and a setlist filled with classic love songs
• Website: Copper & Oak Bourbon and Craft Beer Bar

Special Guest: Paul Weddle (Saxophone)

For this Valentine’s Day show, we’re excited to bring in guest artist Paul Weddle on saxophone. Paul is a renowned touring saxophonist for the legendary Classics IV (known for “Spooky” and “Stormy”), and his playing adds a smooth, soulful layer that fits this night perfectly. He has also toured with the Doobie Brothers, B.B. King, Three Dog Night, and many other music legends.

If you’ve seen us with sax before, you already know how much it transforms the room. If you haven’t, this is a great one to catch.

Read more about Paul Weddle

About Bell & Field

We are an acoustic duo focused on creating a cozy atmosphere with smooth harmonies and a mix of familiar songs. We draw our inspiration from timeless classics, bringing a collection of tunes that span decades while inviting everyone to enjoy some moments together.

About the Venue

Copper & Oak is located in the Route 66 Plaza, right in the heart of historic downtown Lincoln. The bar offers a unique selection of over 21 craft beer taps along with a diverse array of bourbons and hand-crafted cocktails. The outdoor patio adds a pleasant spot for enjoying a drink under the stars, which is always a nice touch when the weather is nice.

We’d love to see familiar faces and new ones alike on February 14th. As always, we’re open to song requests and will be happy to hear your thoughts in the comments below.

New Year’s Eve shows always feel a little different. Everyone walks in carrying a whole year on their shoulders and hoping the next one starts on a good note. Pour Bros in Moline has become that place for us. This was our third NYE there, and this time they went all-in on a 1970s disco theme and let us bring in our friend, saxophonist Paul Weddle. That combination pretty much guaranteed things were going to get interesting.

Bell bottoms, sax solos, and one missing voice

From the moment people started walking in, it was clear folks understood the assignment: bell bottoms, sequins, giant collars, the whole deal. There were a lot of smiling faces before we even played a note.

Behind the scenes, it was a little less glamorous. Greg was just coming off a cold and basically had no voice. So the plan became: Greg holds down the keys and anchors the songs, while Tom and Paul handle most of the vocals and harmonies.

Once Paul really dug into the sax on the first tune, the whole night snapped into place. There’s this jolt that runs through us the first time he leans into a solo—suddenly it’s not just a duo anymore, it’s this little 70s band squeezed into a corner of Pour Bros.

Trying out “Low Rider” and a new favorite Supertramp tune

We’d been itching to roll out a couple of new songs for this show, and the disco theme gave us the excuse.

“Low Rider” by WAR was the first debut. On paper, it’s a pretty stripped-down tune, but once we started rehearsing it, we realized how much fun we could have with it—groove locked in, percussion feel on guitar and keys, and those three-part harmonies near the end. Even with Greg’s limited voice, he jumped in on those harmonies, and it turned into this cool little arrangement that fit the 70s night perfectly. Paul absolutely wailed on the sax breaks, including that iconic line between verses. You could see people’s heads pop up like, “Ohhh, this one.”

The other new one was “Take the Long Way Home” by Supertramp. Greg and Tom had played it together before, but this time Tom had taken on all the harmonica parts. The intro alone is one of those moments where you can feel the room recognize the song within three notes. Then we hit the solo section and let Tom and Paul trade licks—harmonica answering sax, back and forth. From our side of the stage, it felt like we’d stumbled into a different band for a minute. Greg was comping away on piano while those two went at it. We all walked off saying some version of, “Yeah… that one’s a keeper.”

Power cables, backup plans, and keeping the room dancing

Of course, it wouldn’t be a New Year’s Eve show without at least one minor crisis. Before we even started, Greg realized he couldn’t find the power cable for his Bose mixer. He tried to improvise with a substitute, and it worked—right up until it didn’t. About halfway through the night, during a break, the mixer just shut off and refused to come back.

Thankfully, there was a backup mixer in the gear pile. With a little cable juggling and some quick re-routing, e had everything patched in again before the break was over. Nobody in the crowd seemed to notice. From our side, it was a small miracle and a reminder of why we always bring more gear than we think we need.

Pour Bros hospitality and a wobbly “YMCA”

One of the reasons we love doing New Year’s Eve at Pour Bros is how well they take care of everyone. They handed us drink cards so we could enjoy  some of the craft beers and wine throughout the night, reserved a table for Tom and Paul’s wives, and put each of us up at Element, the hotel attached to the venue. Knowing you can just roll your gear a few feet and crash upstairs after midnight takes a lot of pressure off the night.

After we counted down to 2026 with the crowd, we packed up, grabbed some food, and hung around to talk with folks. There’s something nice about getting to celebrate with everyone instead of immediately loading into a van and driving off into the cold.

Somewhere in that after-show haze, we decided it was a good idea to take a bunch of ridiculous photos. At one point Greg climbed onto Tom’s shoulders, which is not something we necessarily recommend as a regular band ritual. Then “YMCA” came on, and between the three of us we attempted to spell it out. The result: Greg’s wobbly “Y,” Paul’s lowercase “m,” and Tom’s backwards “C.” We are absolutely not the Village People, but we are Bell & Field with Paul Weddle, and that’s more than enough for us.

Waking up in 2026

New Year’s Day started with the excellent breakfast at Element and a little postmortem on the night—what worked, what surprised us, which songs we want to keep in the rotation. Even with Greg and Paul both fighting off colds and the mid-show mixer drama, it had been a great time. The 70s theme, the saxophone, the new tunes, the crowd in full costume—it all added up to a pretty great way to step into 2026.

If you were there, thanks for ringing in the year with us and for being part of that loud, slightly off-kilter “YMCA” at the end.

About Bell & Field

We’re a piano–guitar live acoustic duo that loves digging into songs from the 60s through the 90s, rearranging them just enough to keep things interesting while still letting people sing along. Nights like this one at Pour Bros are exactly why we do what we do—real people, real rooms, and a few surprises along the way.

If you’re putting together a New Year’s party, a taproom night, or anything that could use a live acoustic duo performance with harmonies, sax cameos, and a few deep-cut 70s tunes, you can reach us through this page. We’d love to see what we can bring to your place.

On November 22, we get to disappear behind an unmarked door for two hours and play in one of our favorite kinds of rooms: low light, close tables, and just enough space between songs for real conversations.

It’s the kind of night where we can actually see people’s faces, catch the side comments and laughter between tunes, and feel the room lean in when a song lands a certain way.

What’s Happening on November 22

• When: Saturday, November 22, 6:30–8:30 PM
• Where: A Private Speakeasy Event at a secret location
• Who: Bell & Field with guest saxophonist Paul Weddle
• What to Expect: Two sets of live acoustic music—piano, guitar, vocals, and sax—played in a room that’s built for lingering conversation, slow drinks, and people who like to actually hear the band. We’ll move from familiar classics to newer favorites, keeping the volume in that sweet spot where you can talk and still follow every note if you want to.
• Website: Contact us directly for information and bookings.

This time we’re not going in as just a duo—saxophonist Paul Weddle is joining us, which means our usual piano-and-guitar setup gets a smoky, melodic third voice threading in and out of the set.

The Room Behind the Unmarked Door

Because it’s a private speakeasy, we can’t post the address—but that’s half the fun. You step off an ordinary street, push through a door that doesn’t look like much, and suddenly you’re in a dim bar where the glasses catch the light and the rest of the world gets a little quieter.

In this space, the music doesn’t have to fight with TVs or shouting. Conversations drop to a murmur, chairs scrape the floor now and then, and you can actually hear the way a note hangs in the air.

The room has that “if these walls could talk” feeling: worn bar tops, low lighting, and just enough distance between tables that you can lean in close and get pulled into a story or a song without feeling rushed to move on to the next thing.

Who We Are When We’re Off the Main Stage

We’re Bell & Field, an acoustic duo that lives somewhere between the warmth of old standards and the pull of songs you might’ve heard on the radio last week.

With piano, guitar, and two voices, we like taking familiar tunes and turning them just a little—changing the feel, stripping them back, or stretching out a moment—so they feel more like a conversation than background noise.

We’ve spent a lot of nights in rooms like this, learning how to read what people actually want. If the crowd is talking, laughing, and catching up, we’ll loosen up the setlist and leave extra space between songs. If the room suddenly goes still, we don’t rush past it—we stay there and let the quiet work with us.

How the Night Will Unfold

From 6:30 to 8:30 PM, we’ll build the evening in layers. We’ll start with a few instrumentals so people can settle in with their first drink, find their seat, and get used to the sound of the room. Then we’ll move into vocal tunes—some that might nudge a few under-the-breath sing-alongs and some newer songs for the guests who like to catch every lyric.

With Paul on sax, the set will have more room to stretch. If we feel the room perk up during a solo, we might let it run a little longer. When things get quieter, the horn will sit just on top of the piano and guitar, barely above a whisper, so people at the tables can still talk without feeling like they’re interrupting anything.

And yes, there will be the occasional clink of a glass, a chair that squeaks at the wrong time, or a door that doesn’t quite close softly—but we honestly love that. It’s proof the music is happening right there with real people, not in a studio where everything is polished and edited.

For the Ones “In the Know”

If you’re on the list for this Private Speakeasy Event, bring your curiosity, your usual drink order (or something you’ve been meaning to try), and maybe the name of a song you’re quietly hoping we’ll play.

We can’t promise we’ll hit every request, but we do our best to weave in what people are actually craving in the moment—whether that’s a standard you grew up with or a song you heard on the way over.

If you’re reading this and thinking, “I’d love something like this for my own gathering,” that’s exactly the kind of night we like to build. Reach out to us directly to talk about putting together a similar acoustic set—piano, guitar, vocals, and (if you’d like) sax—for your event.

What would you be sipping while we play—something classic, or something a bit mysterious? Tell us your pick below.

Here’s to a November evening of music, low light, and the kind of conversations that only seem to happen once the door closes behind you.

What a night to remember! On July 11, 2025, the skies above Rams Riverhouse seemed determined to test our resolve with torrential rains, fierce winds, and even tornado warnings. As we drove into town under ominous clouds, our excitement about performing with legendary saxophonist Paul Weddle kept spirits high, even as we became thoroughly drenched hauling our gear inside.

The Challenges and the Triumph

Load-in was truly an adventure. Wind gusts and driving rain made it difficult just to get our equipment through the door. As we shook off water and started setting up, the question lingered: would anyone brave such monsoon-like conditions to join us?

After completing what seemed like a successful soundcheck, we confidently started our first song—only to be interrupted 15 seconds in by loud crackles, pops, and sudden silence as the mixer abruptly shut down. We quickly switched to a backup mixer, only to encounter the same distressing sounds again. With tension rising, Tom noticed an erratic red light flickering on one of the mixer channels. Thankfully, we discovered a faulty keyboard cable was the culprit. Once replaced, everything finally fell into place. Third time truly was the charm!

Musical Highlights

From the moment we overcame the technical hurdles, the show took off spectacularly. Opening with energetic classics like “Be-Bop-A-Lula” and “Hello Mary Lou,” we immediately connected with an enthusiastic audience determined to enjoy the night despite the storm.

Setlist Standouts

• “New York State of Mind” showcased Paul’s incredible musical instincts and powerful sax solos, elevating the soulful vibe of the evening.
• “The Way You Look Tonight”, beautifully sung by Paul himself, captured the room with its timeless charm.
• “Baker Street” by Gerry Rafferty was an undeniable highlight. Paul’s rendition of that iconic saxophone riff thrilled everyone present, and it’s already on our must-repeat list.
• “Spooky” was a crowd favorite, made even more special because Paul has toured with the Classics IV—the very band known for this hit. He took full advantage of the venue, weaving through the crowd and mesmerizing everyone with his engaging performance.

A Night with Paul Weddle

Playing alongside Paul Weddle was extraordinary. Paul’s extensive experience touring with legendary artists like the Doobie Brothers, B.B. King, and Elton John was evident in every note. His effortless sax playing added layers of sophistication to our music, gracefully complementing vocal lines, creating dynamic fills, and delivering thrilling solos. Paul’s generous musicality truly brought our sound to a whole new level.

The camaraderie and mutual enjoyment we experienced were unmistakable. After the final notes faded, we lingered for nearly an hour in conversation, sharing stories and expressing our genuine excitement to collaborate again in the future.

Gratitude and Looking Forward

We’re deeply grateful to Steve Baxter, owner of Rams Riverhouse, for his generous hospitality and unwavering support. It warmed our hearts to see so many familiar faces, including our good friend Paul Ganahl—who hosts fantastic open mics at Rams Riverhouse and our favorite Port Byron venue, Tuggers—as well as Tom’s parents, wife Malissa, and son James, who all braved the stormy weather to support us.

Most importantly, a massive thank you goes out to the resilient and enthusiastic audience. Your energy and applause made this evening incredibly special, turning what could have been a challenging night into one of the most memorable performances we’ve ever had.

If you were inspired by this event, book us for your next event, and let’s create lasting memories together!