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The musical portion of our first Bell & Field appearance at Kewanee Hog Days involved guitar, piano, sax, two speaker towers and no feedback problems. The post-show portion involved three grown musicians packed into a carnival rocket ship while Tom stared intensely at a tuft of hair on the back of Greg’s head.

One of those situations required considerably more nerve than the other.

A Breeze After the Scorcher

Sunday arrived with nearly ideal weather, especially after the incredible heat the day before. A breeze moved through the Chop Tent, the temperature stayed comfortable, and our little corner had just enough room for the three of us and our gear.

When we arrived, our friend Chris Stevenson was playing. Greg had not seen him in a long time, going back to his days working at Highlands in Bradford, so we sat down and enjoyed Chris’s guitar work before beginning our setup.

We used two speaker towers in a slightly unusual arrangement. One pointed away from the tent toward the larger carnival area, while the other stayed inside. Neither tower sat behind us, which meant we avoided the feedback problems that can turn a pleasant festival afternoon into three musicians quietly negotiating with an angry electronic goose.

Tom’s family joined us, and Greg’s mother made the trip down from Lake Barrington, also joined by Greg’s family and dog, Leo. Nearby, hamburgers and pork chops were being made, supplying both excellent food and a very appropriate soundtrack-adjacent aroma for Hog Days.

With guitar, piano and sax tucked into the corner, we worked our way through the set, including Be-Bop-A-Lula and Sweet Home Chicago. It was Bell & Field’s first time performing at Hog Days, and having Paul there let us approach the afternoon as a trio.

Twelve Tickets, Sold in Multiples of Fifteen

After the show, Greg proposed a carnival ride. Paul was in. Greg was in. Tom was very much not a carnival-ride person, but peer pressure remains a surprisingly effective management tool within this group.

The ride required twelve tickets for the three of us. Greg could only buy fifteen, leaving us with three bonus tickets and no intention of going on anything else. An attempt to give those extras to the group ahead of us did not go especially smoothly: they left the line, then eventually returned at the end.  Clearly something had offended them, or they just enjoyed the unnecessary drama.

At least the mathematics had been sound.

The ride was the Hurricane, a rocket-shaped contraption that travels in a circle while also moving up and down. As we took our seats, we were all smiles, waves and thumbs-up for Tom’s family watching from the side. This was the cheerful part, before the tremendous G-force began rearranging everyone’s priorities and faces.

Greg immediately slid against the side of the rocket and received a rapid reminder that it had been a long time since his last ride of this sort. He felt a little sick but made it through fine. Paul, a Navy veteran, handled the whole thing without trouble.

Tom had remembered the standard nausea-avoidance strategy: choose one fixed object and stare at it. The available fixed object was the back of Greg’s head. More specifically, one tuft of hair on the back of Greg’s head.

So while the Hurricane spun, climbed and dropped, Tom ignored the carnival, the horizon and every other visual option. Greg’s hair became his entire navigational system. The strategy mostly worked, which is about the highest rating any carnival-ride strategy should reasonably receive.

The Emergency Corndog Protocol

Once we were back on solid ground, Tom required a Snazzy’s lemon shake-up and a corndog to get going again. This appears to be the proper recovery meal after using another musician’s haircut as a meditative focal point.

The photos from the ride captured the moment in all its dignity. We had gone to Hog Days to play music with Paul, spend time with family and friends, eat pork chops and make our first appearance at the festival. We left with all of that, plus a useful lesson: when Greg suggests a ride after a show, Tom should either resist peer pressure or make sure Greg has a dependable hairstyle.

If you’re considering some live music for your own gathering—carnival ride strictly optional—you can take a look at booking Bell & Field here.

The rain arrived about 45 minutes before our 1 pm start at Edison’s Gastropub, which is excellent timing if you are a cloud and less useful if you are carrying instruments.

Fortunately, the spacious canopy was already in place. Edison’s open doors and wide flip-up bar window also gave this outdoor show an indoor route, with the live mix carried into the building. The weather kept switching between rain and less rain, but the tent did its job and we started on schedule.

Our voices took a little time to warm up. That happens sometimes, especially during an afternoon set when the vocal cords apparently expect a written invitation. Once they were fully clocked in, we brought back Bittersweet, a song that had been away from the set for a while.

Three Stops Across America

The middle of the show included an unusual three-song America run: Lonely People, A Horse With No Name and Ventura Highway. Most trips across America require fuel, snacks and several arguments with a navigation app. Ours required a guitar, piano and a careful count-in.

We also debuted the Statler Brothers song Flowers on the Wall. Add Margaritaville, which has been turning up more often in our summertime sets, and the afternoon covered a fair amount of musical geography without either of us leaving the canopy.

The intermittent rain continued through much of the set. By the final notes of Tiny Dancer, the weather had supplied nearly every variation available between damp and slightly less damp.

Karaage!

The day also had a strong food subplot. Before the show, karaage from Edison’s new menu handled the pre-performance meal. Greg ate plenty of Lawson’s karaage-kun during his 10 years in Japan, and was happy to see a similar item on the menu here.

Back at Edison’s, the post-show stretch included a quick conversation with manager Jewel and owner Paul about dates for next year. That brought the afternoon neatly back to where it began: under a well-planned canopy at a venue built to keep the music going when August weather ignores the forecast.

We finished packing up the last or our items, and Tom set off for his immediate next gig.  That’s true endurance!

If you are planning an event and could use a piano-and-guitar duo with songs, stories and weather-tested equipment, take a look at our booking page. We would be glad to hear what you have in mind.

Rams Riverhouse is starting to feel like our own little experiment in how many tiny things can go sideways before a show and still add up to a really good night.

Dry load-in, quick setup, and the traditional “no guitar in the monitor” moment

The last time we played Rams, it felt like we were loading in during a hurricane. Sheets of rain, cables getting damp, and a 10–15 minute scramble to figure out why nothing sounded right. This time: blue sky, dry sidewalks, and a bar & grill that actually has a stage waiting for us. Already an upgrade.

We pulled into Port Byron with time to spare. Tom left his car at Greg’s place, rode along, and handed over a birthday present in the driveway: a Bell & Field thermos with our logo and Greg’s name on it.

We rolled our gear in, set up in record time, and somehow had a full hour before downbeat. Of course, we still had to uphold one soundcheck issue, and it was our usual routine.

Tom’s guitar check went like this:

• Tom strums confidently.
• Silence.
• He frowns at the mixer.
• We pretend to troubleshoot everything else first.
• He finally looks down and realizes a pedal setting is wrong.

It happens every single time like clockwork, and we both laughed because it really does. At this point it’s basically expected.  We’d be more surprised if it didn’t happen.

River walk, Pavillion and “Molester Moon”

Because setup went so smoothly, we actually got to be human beings for a bit. We walked down to the pavilion by the Mississippi, and just talked. Tom had recently stayed at an Airbnb across the street with Malissa, so he pointed it out and told a few stories from that trip.

Then the conversation took a hard left turn into a ridiculous video Tom’s sons had shown him featuring a character called “Molester Moon” and a cursed chain of moon emojis. Picture a person in a weird moon costume, high voice, dancing badly, saying, “I’m going to molest you!” It’s the kind of dumb comedy you’re embarrassed to laugh at, and of course there was another couple sitting right there in the pavilion overhearing all of it.

We didn’t realize it at the time, but that couple from the pavilion ended up front and center for the show. Tom introduced himself later and we all laughed about the absurd moon video.

Salad, family, and a small but attentive room

Back at Rams, Tom grabbed their Grilled Chicken Caesar Salad before we started. He was starving but didn’t want anything heavy before singing for three hours. It hit the spot and he came back to the stage feeling good and ready to test his diaphragm for the rest of the night.

The room wasn’t packed, but it was the kind of crowd we really like: people listening, clapping after songs, and making eye contact instead of just shouting over us. Having Tom’s family there helped anchor the whole night, too. His son James came up to the piano for a go at “Take It Easy” by the Eagles with Tom on guitar.

Friends in the front row and songs that are starting to lock in

One of the best parts of the night was seeing familiar faces walk through the door: our friends David, Nancy, and Helen. We’re big fans of David Killinger’s work with The Carefree Highwaymen (his Gordon Lightfoot tribute) and his other folk projects, so having him show up on a night we’re doing a live acoustic duo performance always gives us a little extra push.

We pulled out “Sundown” for David. That one hasn’t totally settled for Greg yet, but it’s getting closer every time. It’s funny how a song that seems simple on paper—just a few chords—can be sneaky with nuances that have to land together or it feels off.

Some of our newer tunes are starting to feel really comfortable too:

• Borderline – starting to groove the way we imagined when we first added it.
• And She Was – not really new, but weird and wonderful as always, and the Rams crowd seemed into it.
• Walk of Life – a good fit for a bar & grill with an actual stage and people nodding along with their drinks.

We closed the night with “Walking in Memphis” and “Wild Night,” then hung out to talk with the folks who stuck around until the end.

An awkward restroom trip, nostalgic car rides, and heading home

Somewhere near the beginning of the night, Tom had one of those tiny human moments you don’t expect to end up in a show recap. The men’s room at Rams is just small enough that you’re not sure if it’s a one-person or two-person situation. One toilet, one urinal. Tom walked in, saw someone already standing at the toilet, and had that split-second debate: do I wait outside, or just use the urinal and pretend this is normal?

He went for it, but came back to the stage with that look of, “Did I just break an unspoken rule?” These are the important questions we wrestle with on the road.

After we packed up, we said goodbye to Tom’s family. Malissa rode back with us, and since there’s no Taco Bell on the route home from Port Byron, we stuck with our newer tradition: nostalgia listening session. Last time it was TV theme songs; this time it was old pop, rock, and hard rock we grew up on—“Cult of Personality” by Living Colour, some Nine Inch Nails, “I’m the Man” by Anthrax, and many others.

Tom hadn’t heard “I’m the Man” before and immediately said it sounded like the Beastie Boys. Greg had never made that connection, but once he said it, you can’t un-hear it. That stretch of highway went by fast with all of us trading memories about the first time we heard those songs.

By the time we pulled back into town, we were already replaying the night in our heads: the river walk, the molester Moon conversation, the wall of orange vehicles, James at the piano, David and his family in the audience, and that comfortable Rams Riverhouse stage where the sound just seems to carry right to every table.

Sharing music on a summer night for folks who really listen is about as good as it gets.

Want this kind of night at your place?

If you’re putting together something and want a live acoustic duo to bring harmonies, guitars, piano, and a bunch of stories like these, you can reach us through this page: https://www.bellandfieldmusic.com/book-acoustic-duo/.

Some shows feel like gigs, and some feel like you just plugged in the PA at a family reunion. Tom’s parents’ 52nd anniversary at Cerno’s definitely landed in that second category.

Three Anniversaries, One Room at Cerno’s

This was our third time doing this anniversary party at Cerno’s in downtown Kewanee, and it’s officially a tradition now. Tom’s parents were celebrating 52 years, but they weren’t the only ones being toasted. Tom’s cousin Mark and his wife Maria were at 28 years, Tom’s sister Katie and her husband Dan were at 25, and Tom and Malissa hit 25 too. The dates don’t all line up on the calendar, but that’s where everyone stands, and it felt right to lump it all into one big “we’re still here” celebration.

Between Tom’s parents, Tom and Malissa’s six kids, Aunt Nancy and Uncle Howard, nephews Caleb and Andrew, and Annie’s boyfriend Garrett, the back room at Cerno’s felt like a living room with a Belgian back bar and 30 taps. There were sing-alongs, requests, and the kind of side conversations you only get when half the room shares a last name.

Why This One Hits Different

Tom here: I’ve been lucky to grow up with parents who have quietly modeled what love and support look like. Playing their 50th anniversary at Cerno’s a couple years back was a big deal for me. At the end of that night my mom half-joked, “We should just do this next year because you never know.” That line stuck. We really don’t know when life is going to shift, so coming back for 51 and now 52 has felt like saying, “We’re still together, let’s keep celebrating while we can.”

Greg here: I want to back up to something small but important. When I go to Tom and Malissa’s house to practice, their place is always moving. Kids in and out, friends dropping by, sometimes not even ringing the doorbell—just walking in with cookies or something for the table. There’s a strong sense of trust and inclusion that you can feel. I’m pretty sure a lot of that comes from Jim and Cheri. Over the years, they’ve pulled me into that circle, and honestly, the music almost feels like the side story to the relationships at this point.

First Dances, Old Songs, and New Additions

Of course, we had to play “The Wedding Song (There Is Love)” by Paul Noel Stookey. That was Jim and Cheri’s wedding song, and seeing them step out and dance to it again—52 years later—pretty much stopped the room. It’s one of those songs that’s simple on paper but heavy with history when you know what it means to the people in front of you.

We also used this night to finally roll out some songs that had been sitting on the practice list for too long. We opened with “Because” by The Dave Clark Five, then finally took “Run for the Roses” (Dan Fogelberg) out for its first real spin. We debuted “Walk of Life” (Dire Straits), “No Matter What” (Bad Company), and “Sundown” (Gordon Lightfoot). “Sundown” was especially fun.”

We also dusted off some tunes we hadn’t touched in a while: “Round Here” for Tom’s sister, who is a big Counting Crows fan, plus “Margaritaville,” “Take the Long Way Home,” “Don’t Worry, Be Happy,” “Southern Nights” (Glen Campbell), and “Hungry Heart.”.

James on Keys and Panthers on the Screen

One of the best parts of this live acoustic duo performance was getting Tom’s son James to play some songs. He jumped on piano for “Sweet Home Chicago” and “Hey Jude,” playing and singing with Tom. James has always been strong with sheet music, but this time he wasn’t reading at all—just playing from memory and feel. Watching him lean into improvising more each year has been its own quiet subplot in these Cerno’s shows.

Then Simeon, another of Tom’s sons, decided to raise the bar on the tribute side of the night. He dug up game footage from Jim’s college football days with the UNI Panthers and got it playing for everyone. Suddenly the anniversary party turned into a Saturday night watch party, with the whole room locked in on the screen, cheering like the game was live. When the reel ended, we launched straight into “You Don’t Mess Around with Jim” by Jim Croce. Given how tough Jim looked in those clips, nobody in the room was planning to mess with him, but the guy we know is the one who’ll tear up with gratitude when he talks about family.

Cerno’s Crew, Cerno’s Burgers, and a Detour from Taco Bell

We’ve got to give a special shoutout to Ciara at Cerno’s. She’s taken care of this party three years in a row now—food, drinks, the whole thing—and somewhere along the way we also found out she can really sing. As we were packing up, we heard her belting a tune and just looked at each other like, “Okay, that’s not fair.” We asked if she’d ever want to come by a practice and work up a song or two with us. She said she’d think about it. We’re hoping that “maybe” turns into a “yes.”

Greg’s post-show tradition is usually a quick Taco Bell stop on the short drive home from Kewanee. This time, he pulled up and realized the place was closed for renovations. So it turned into a Burger King run instead. The spicy chicken sandwich did the job, but eating it in the car left sauce all over his jeans. Not exactly glamorous [Kewanee entertainment] life, but that’s the real version.

Looking Ahead (Because You Never Know)

Somewhere in the middle of the night, that line from Tom’s mom—“we should just do this next year because you never know”—came back around in our heads. As long as Jim and Cheri keep wanting to gather everyone at Cerno’s, we’ll keep bringing the guitars, keys, and whatever new songs we’ve been kicking around in Tom’s living room.

If you’re putting together a family celebration or private party and want a live acoustic duo performance that can handle everything from “Hey Jude” sing-alongs to quiet first dances, you can reach us through this page. We’d be glad to be part of your story too.

Edison’s in Bettendorf is one of those places that quietly spoils you for other rooms. Every time we play there, I catch myself thinking, “Oh, this is how it’s supposed to work.” A lot of that goes back to Paul and the way he runs the place.

We’re back there on Saturday, August 29, playing the afternoon stretch from 1–4 pm. Daytime shows have their own rhythm: people easing into brunch or a late lunch, kids at the table, a game on somewhere, someone sneaking in a solo beer at the bar. It’s a different kind of focus than a late-night set, and Edison’s leans into that in a really smart way.

From our side of the stage (or corner, depending how they set us), Edison’s just makes the practical stuff easy: the load-in isn’t a circus, the staff actually knows what’s going on with the music, and they treat sound like it matters. That might sound small, but it changes how relaxed we can be once we start playing.

This will be another guitar-and-piano afternoon where we can stretch out a bit—mixing our usual set of reworked classics with some quieter songs that don’t always fit into louder bar nights. If you’ve seen us here before, you know we tend to follow the room: we’ll keep it lighter early on and then open things up if the place fills and people start leaning in.

The Basics

• When: Saturday, August 29, 2026, from 1:00 pm to 4:00 pm
• Where: Edison’s Gastropub, 3579 Tanglefoot Ln, Bettendorf, IA 52722
• Who: Bell & Field (piano and guitar duo)
• What to expect: A laid-back afternoon set with rearranged favorites, some quieter piano-led tunes, and a few songs we usually save for rooms that actually let you hear the words. We’ll keep things conversational and adjust as the afternoon rolls along.
• Venue website: edisonsgastropub.com

About Bell & Field

We’re a piano-and-guitar duo that likes taking familiar songs and nudging them sideways a bit—changing the groove, pulling things back so the lyrics land, and leaving enough space to talk with people between tunes. At spots like Edison’s, we usually start with lighter brunch-friendly material and then, if the room stays with us, work in deeper cuts and a few of our own.

The Room & The Neighborhood

Edison’s calls itself a modern speakeasy, but what stands out to us is how dialed-in they are on the basics: the staff actually knows when the music starts, they make sure we’ve got what we need, and they don’t treat live music like an afterthought. Paul deserves credit for that; he clearly cares about the details.

It’s in Bettendorf on Tanglefoot Lane, which means you get a steady mix of locals dropping in—some people there for brunch, some for a proper meal, and some just camping at the bar for the afternoon. From our spot, we see everything from families splitting plates to folks parked with a single drink, listening harder than they planned to when they walked in.

If you’re around Bettendorf that Saturday and in the mood for a slower afternoon with real food and live music that’s not blasting your ears off, this one should fit. We’ll see how the room feels and build the set from there.

If you’re looking for a Friday where you can hear the people you’re with, finish a story, and still have great live music going in the background, this one might fit your night.

We’re heading back to Edison’s Gastropub in Bettendorf on Friday, June 5, and we’ve been quietly looking forward to this one for a while. Our last show there was in 2025, and it honestly stuck with us more than most places do.

Paul and the staff were kind to us from the moment we walked in. The place was clean and dialed-in without feeling stiff, and everything just worked the way you hope it will when you’re hauling in a keyboard and guitar. We played outside on their patio, which is a really comfortable spot to settle into for a few hours.

One detail that really stood out: they had a camera feed running during the show, and Paul took the time afterward to send us some of the video. One of those clips ended up at the top of our homepage, so if you saw the Edison’s footage there, that’s from that night! It’s rare that a venue goes that extra step for the band, and it made us want to come back.

This time around, we’re leaning into what worked there before: songs you’ll recognize mixed in with some deeper cuts, arranged so they sit well with conversation and dinner. We’ll probably stretch out a little more on a few piano intros and guitar textures too, since well… that’s just what we love to do!

The Basics

• When: Friday, June 5, 2026, from 4:00pm to 7:00pm
• Where: Edison’s Gastropub, 3579 Tanglefoot Ln, Bettendorf, IA 52722
• Who: Bell & Field (piano, guitar, and two voices)
• What to expect: An early evening set you can bring friends or family to, with familiar songs, a few rearranged favorites, and some quieter moments that won’t drown out your conversation.
• Venue website: edisonsgastropub.com

About Bell & Field

We’re a piano-and-guitar duo that builds sets around the room we’re in. At a place like Edison’s, that usually means mixing in thoughtful covers, some stripped-down takes on bigger songs, and a few quieter choices so people can enjoy the music without having to shout across the table.

The Room & The Neighborhood

Edison’s sits over on Tanglefoot Lane in Bettendorf, and they’ve clearly put care into how the place is run. Last time we were there, everything from the stage setup to the patio layout made it easy for people to settle in for the evening. The outdoor area in particular felt like a natural spot for a 4–7pm show as the day winds down.

From a musician’s point of view, it’s the kind of place where the staff is on top of things and you can focus on playing instead of troubleshooting. That tends to make the music better, and it’s just one of the reasons we were hoping to get back on their calendar.

If you end up at Edison’s that Friday, we’ll do our best to give you a solid soundtrack for the early part of your night.

We’re excited to play at Fernando’s Place in Kewanee on Sunday, April 26, 2026, from 5 to 8 PM. This spot in the heart of Kewanee offers a taste of authentic Mexican cuisine that locals really appreciate. Whether you’re in the mood for tacos, burritos, or anything else, it’s a comforting place to relax and enjoy.

We love playing in settings like this, where the atmosphere is welcoming and has a deep appreciation for family gatherings. There’s something special about sharing our music in a diner that’s known for its friendly service and hearty meals. We hope to see some familiar faces! Join us! Join Fernando!

If You Are Planning To Come Out

• Date and Time: April 26, 2026, from 5 – 8 PM
• Venue: Fernando’s Place, 226 N Tremont St, Kewanee, IL 61443
• Who is Playing: Bell & Field
• What to Expect: A relaxed acoustic set in a cozy dining atmosphere
• For more about the venue, visit: Fernando’s Place

About Bell & Field

We are an acoustic duo that enjoys sharing smooth harmonies and classic songs from the 60s to 90s. Our goal is to create a laid-back vibe that makes everyone feel at home while they listen.

About The Venue

Fernando’s Place is located in the heart of Kewanee, and it has become quite a favorite among locals. Known for its authentic Mexican dishes and welcoming atmosphere, the diner features a cozy, retro-style interior that feels friendly and familiar. There’s a wide range of menu items.

It’s a great spot for families and those looking for a casual meal, and we’ve always found the staff to be attentive and warm. Kewanee itself is known for its strong sense of community, and spots like Fernando’s play a big part in that.

We hope you can join us at Fernando’s Place for some good music, delicious food, and perhaps a couple of tasty beverages. Thank you for your support, and we look forward to seeing you there!

We rolled back into Crescent City Tap on one of those bitter cold January nights where you question all your life choices while you’re loading gear. We’ve played this room a bunch of times now. It wasn’t packed like some of the past shows, but we also knew the folks who did come out would really be there to listen and have a good time with us.

Seven people, three hours, and a lot of conversation

I think we played to basically the same seven people for most of the night, which ended up being kind of great. They settled in, ordered their drinks, and just stayed with us. It felt less like a show and more like we’d been hired to play someone’s living room, only with way better whiskey options.

Before the gig, we met at my home, working on “Draggin’ the Line.” We usually do 3-part harmonies with our buddy Paul Weddle on sax, and we were trying to see if we could make it work as just the two of us. Harmonies felt solid, we were ready to go… and then we proceeded to completely forget to play it. Never even called it. Classic.

Instead, we ended up dusting off some songs we hadn’t touched in a while: “Bittersweet,” “And She Was,” “Leader of the Band,” and a few others that had been sitting on the bench. It was one of those nights where the set list kept changing based on whatever conversation we were having with the room.

Requests we’d never played (and one we half-played)

By mid-show we had clearly drifted into a ’70s groove, and the crowd picked up on it. Requests started coming in: “Sunshine on My Shoulders,” some John Prine, “I Fought the Law,” “Take Me Home, Country Roads,” and then teased a verse with the curveball request: “Without You” by Harry Nilsson.

We had never played any of those before. We decided to just go for it and see what happened. “Sunshine on My Shoulders” and the Prine tune came together better than we had any right to expect, and it actually felt pretty good leaning into that era for a while.

“Without You” only went as far as the first verse. Greg really likes that song but has never practiced it, so he previewed it just to see where it sat. He bailed out before it jumped up that octave.  With a little practice, that song might make it into our upcoming Valentine’s Day show at Copper & Oak.

Moms, Walken impressions, and that small-room feeling

One of Greg’s favorite moments of the night had nothing to do with the set list. Between songs he turned to me and asked, “So what are you feeling?” meaning, what should we play next. My mom was in the audience and immediately perked up: “Did you just ask him how he’s feeling? Why, is he sick?”

We had to explain that Greg was asking about the next song, not my health. Greg then joked that I had “a fever for music,” which of course led me straight into a Christopher Walken impression: “I got a fever, and the only prescription… is more cowbell.” I’ll be honest, whatever voice came out of my mouth was not Christopher Walken. Greg said it sounded more like Louis Armstrong. Either way, the whole exchange had the room cracking up.

Mom-level concern in the middle of a live acoustic duo performance is hard to beat. It’s those little unscripted things that make a quiet night feel full.

Familiar faces in Galva on a freezing night

Even with the small crowd, it was really good to see some people we hadn’t caught up with in a while: Teri Pankau, Annette Smith, Alan Anderson, Mike Martin, and a few others who’ve been cheering us on for a long time. My parents were there, as always, quietly anchoring a table and clapping for every song like it was the first one they’d ever heard us play.

Mike grabbed some video near the end of the night, so we’re curious to see what that looks and sounds like from the other side of the speakers. From our side, it felt like one of those Crescent City Tap entertainment nights where the room is small, the conversations are easy, and you actually have time to talk with everyone who came out.

Already looking ahead to the next Crescent City Tap show

We’re back at Crescent City Tap on Friday, February 27, this time with Paul Weddle on sax. If you’ve heard us do “Take the Long Way Home” as a duo, you know it’s fun—but when Paul comes in on that sax line, it turns into a whole different animal. We’re also determined to remember “Draggin’ the Line” before we leave the stage this time.  But we might just stick to the love songs for that day.

About Bell & Field:

We’re a piano–guitar duo that loves taking familiar songs from the ’60s through the ’90s and putting our own spin on them with harmonies and stripped-down arrangements. Nights like this one in Galva are exactly why we do it: a handful of people, some honest requests, a few surprises, and plenty of time to actually talk in between.

If you’re looking for live music in Galva or beyond and want a low-key, conversational kind of show like this, you can reach out to us here: https://www.bellandfieldmusic.com/book-acoustic-duo/.

We’re happy to share that we’ll be performing at Cerno’s in downtown Kewanee on Thursday, May 29, 2025. The warm atmosphere is just right for an evening like this, especially with the splendid back bar imported from Belgium and the inviting vibe that comes with it.

This will be a private event for an anniversary party for Tom’s parents and we’re looking forward to making it a special time for everyone involved

Show Details

• Date and Time: May 29, 2025, from 7 PM to 9 PM
• Where: Cerno’s, 213 W 3rd St, Kewanee, IL 61443
• Who: Bell & Field
• What to Expect: Acoustic set with a relaxed atmosphere; great food and drinks available.
• Venue Website: Cerno’s Bar & Grill

About Bell & Field

We are an acoustic duo featuring smooth vocal harmonies and a range of songs that will take you from the 60s to the 90s. Our aim is to create a welcoming environment where you can sit back and enjoy the music as we share some of our favorite tunes.

About the Venue

Cerno’s is located in historic downtown Kewanee, Illinois, featuring a beautiful back bar from Belgium that adds character to the space. The venue offers an extensive menu with classic grill fare and 30 beers on tap. It’s a great spot for both casual nights and special occasions.

We appreciate everyone who’s able to join us. It’s going to be a nice evening with good music and good company. Happy Anniversary Jim & Cheri!

Looking for the perfect way to spend a summer evening? On August 22, come to Tuggers in Port Byron, IL, for an enchanting night filled with music and camaraderie. The event kicks off at 6:00 PM and concludes at 9:00 PM, offering you three hours of pure enjoyment.

Event Details

• When: Saturday, August 22, 6:00–9:00 PM
• Where: Tuggers – 201 N Main St, Port Byron, IL 61275
• Who: Featuring a live performance by Bell & Field
• What to Expect: Experience a mix of classic hits with artisanal drinks, all set against the picturesque backdrop of the Mississippi River.
• Website: Tuggers

About Bell & Field:

Bell & Field are widely appreciated for their engaging harmonies and classic repertoire, ranging from the ’60s to the ’90s. Their performances are designed to foster a warm, intimate atmosphere, making them the ideal complement to a night out at Tuggers.

The Venue: Tuggers & Port Byron’s Appeal

Nestled along the Mississippi River, Tuggers is renowned for its lively atmosphere and friendly service. Whether you opt for a spot indoors or enjoy the scenic outdoor patio, the views of the river offer a serene backdrop. Port Byron, known for its Riverfest and charming small-town allure, enhances the venue’s energetic yet relaxed ambiance, making it an ideal place for a memorable evening.

Join Us for an Unforgettable Night

Gather your friends and join us for a memorable night where live music meets the beauty of the Mississippi. Whether you’re a devoted Bell & Field follower or eager to explore this vibrant venue for the first time, the night is set to be a harmonious blend of tunes, drinks, and community spirit. Which classic hit or Mississippi river-inspired drink are you excited to enjoy? Share your thoughts in the comments below!

Cheers to an evening of music, delightful refreshments, and lasting memories at Tuggers!