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On November 22, we get to disappear behind an unmarked door for two hours and play in one of our favorite kinds of rooms: low light, close tables, and just enough space between songs for real conversations.

It’s the kind of night where we can actually see people’s faces, catch the side comments and laughter between tunes, and feel the room lean in when a song lands a certain way.

What’s Happening on November 22

• When: Saturday, November 22, 6:30–8:30 PM
• Where: A Private Speakeasy Event at a secret location
• Who: Bell & Field with guest saxophonist Paul Weddle
• What to Expect: Two sets of live acoustic music—piano, guitar, vocals, and sax—played in a room that’s built for lingering conversation, slow drinks, and people who like to actually hear the band. We’ll move from familiar classics to newer favorites, keeping the volume in that sweet spot where you can talk and still follow every note if you want to.
• Website: Contact us directly for information and bookings.

This time we’re not going in as just a duo—saxophonist Paul Weddle is joining us, which means our usual piano-and-guitar setup gets a smoky, melodic third voice threading in and out of the set.

The Room Behind the Unmarked Door

Because it’s a private speakeasy, we can’t post the address—but that’s half the fun. You step off an ordinary street, push through a door that doesn’t look like much, and suddenly you’re in a dim bar where the glasses catch the light and the rest of the world gets a little quieter.

In this space, the music doesn’t have to fight with TVs or shouting. Conversations drop to a murmur, chairs scrape the floor now and then, and you can actually hear the way a note hangs in the air.

The room has that “if these walls could talk” feeling: worn bar tops, low lighting, and just enough distance between tables that you can lean in close and get pulled into a story or a song without feeling rushed to move on to the next thing.

Who We Are When We’re Off the Main Stage

We’re Bell & Field, an acoustic duo that lives somewhere between the warmth of old standards and the pull of songs you might’ve heard on the radio last week.

With piano, guitar, and two voices, we like taking familiar tunes and turning them just a little—changing the feel, stripping them back, or stretching out a moment—so they feel more like a conversation than background noise.

We’ve spent a lot of nights in rooms like this, learning how to read what people actually want. If the crowd is talking, laughing, and catching up, we’ll loosen up the setlist and leave extra space between songs. If the room suddenly goes still, we don’t rush past it—we stay there and let the quiet work with us.

How the Night Will Unfold

From 6:30 to 8:30 PM, we’ll build the evening in layers. We’ll start with a few instrumentals so people can settle in with their first drink, find their seat, and get used to the sound of the room. Then we’ll move into vocal tunes—some that might nudge a few under-the-breath sing-alongs and some newer songs for the guests who like to catch every lyric.

With Paul on sax, the set will have more room to stretch. If we feel the room perk up during a solo, we might let it run a little longer. When things get quieter, the horn will sit just on top of the piano and guitar, barely above a whisper, so people at the tables can still talk without feeling like they’re interrupting anything.

And yes, there will be the occasional clink of a glass, a chair that squeaks at the wrong time, or a door that doesn’t quite close softly—but we honestly love that. It’s proof the music is happening right there with real people, not in a studio where everything is polished and edited.

For the Ones “In the Know”

If you’re on the list for this Private Speakeasy Event, bring your curiosity, your usual drink order (or something you’ve been meaning to try), and maybe the name of a song you’re quietly hoping we’ll play.

We can’t promise we’ll hit every request, but we do our best to weave in what people are actually craving in the moment—whether that’s a standard you grew up with or a song you heard on the way over.

If you’re reading this and thinking, “I’d love something like this for my own gathering,” that’s exactly the kind of night we like to build. Reach out to us directly to talk about putting together a similar acoustic set—piano, guitar, vocals, and (if you’d like) sax—for your event.

What would you be sipping while we play—something classic, or something a bit mysterious? Tell us your pick below.

Here’s to a November evening of music, low light, and the kind of conversations that only seem to happen once the door closes behind you.

Walking into Treehouse Pub & Eatery on November 1 felt less like loading in for a gig and more like dropping by a neighborhood hangout we’d somehow missed out on until now. The reclaimed wood, the low hum of conversation, the smell of pizza coming out of the oven—it all made it pretty easy to forget we were technically there to work.

Treehouse Pub: Food, Friends, and a Stage

Treehouse in Bettendorf has a reputation for being one of those places where people actually show up for the music, not just the TV screens and appetizers. Their menu is no joke either—gourmet burgers, artisan pizzas, and a long list of craft beers that had more than a few people studying the taps like a final exam.

My pre-show ritual that night was the Cuban Sandwich on Rustic Sourdough. It was exactly what I needed before we started—messy in the best way, and just enough fuel to make it through the first set without eyeing everyone else’s plates.

New Tunes, Old Favorites

We built the night around a mix of songs we know like muscle memory and a few we were brave (or foolish) enough to debut on the spot.

New additions to the set included:

• “Bittersweet” by Big Head Todd and the Monsters – We definitely took a minute to find our footing on this one, but once it locked in, the room leaned in with us and it ended up being a crowd favorite.
• “Jealous Again” by The Black Crowes – Our version turned into one of those head-nod, foot-tap moments where you can tell people recognize it from the first few chords.
• “Round Here” by Counting Crows – This one is no small lift, but we were really happy with how our first run went. It felt like the kind of song we’ll keep coming back to.
• “What You Give” by Tesla – This started as a surprise request and quickly turned into a sing-along. Sometimes the unplanned ones are the most fun.

We also mixed in some originals, including my song “My Shadow”. We’d only rehearsed it a handful of times, so it still had that slightly fragile, on-the-edge feeling, but it settled in nicely and might have just earned itself a regular spot in future sets.

Two Gears, One Night

At one point I joked with Tom that we only have two gears: before the wine and after the wine. Early in the evening, everything felt dialed in—tight harmonies, clean transitions, the kind of set where people can talk over their dinner but still catch a line here and there.

As the night went on, the room loosened up and so did we. We started leaning into the banter, telling a few stories between songs, and letting the tempo and volume creep up just enough to match the noise level of the bar.

Tom’s parents came out, which always makes it feel a little like a family gathering, and our friends Katherine and Marshall were there too. Having familiar faces in the crowd changes the whole night—it turns a show into more of a conversation.

Guest Vocals and TV Theme Curveballs

Marshall ended up joining us on stage for a few jazz standards, and his baritone voice completely shifted the mood in the best way. You could feel the room go quiet in that “nobody wants to talk over this” kind of way.

Later on, someone tossed out a request for TV theme songs. That turned into us pulling out the “Taxi” theme, which is not exactly something you expect to hear at a pub on a weeknight. It got a big reaction and more than a few surprised smiles.

Sing-Alongs and a World Series Win

We moved “Piano Man” earlier in the set than we usually do, and it immediately turned into a full-house sing-along—the kind where you can pretty much stop playing and let the crowd carry it.

The World Series game was on while we played, so to nod to that, we wrapped up with “Take Me Out to the Ball Game”. It was another one of those songs everyone knows whether they planned to sing or not.

By the time we got home, the Dodgers had clinched the World Series. That win meant a lot to Greg and to his mom’s late husband, who was a lifelong Dodgers fan. It felt like the night ended on a personal high note, both on and off the stage.

Thanks, Treehouse

Huge thanks to Brian and the whole team at Treehouse Pub & Eatery for taking such good care of us and giving us a place where the music, the food, and the people all seemed to be on the same wavelength. We’re already looking forward to coming back.

If you’re planning a party, private event, or anything that could use some live acoustic music, we’d love to be part of it. Book us for your next event and let’s see what kind of night we can create together.