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New Year’s Eve shows always feel a little different. Everyone walks in carrying a whole year on their shoulders and hoping the next one starts on a good note. Pour Bros in Moline has become that place for us. This was our third NYE there, and this time they went all-in on a 1970s disco theme and let us bring in our friend, saxophonist Paul Weddle. That combination pretty much guaranteed things were going to get interesting.

Bell bottoms, sax solos, and one missing voice

From the moment people started walking in, it was clear folks understood the assignment: bell bottoms, sequins, giant collars, the whole deal. There were a lot of smiling faces before we even played a note.

Behind the scenes, it was a little less glamorous. Greg was just coming off a cold and basically had no voice. So the plan became: Greg holds down the keys and anchors the songs, while Tom and Paul handle most of the vocals and harmonies.

Once Paul really dug into the sax on the first tune, the whole night snapped into place. There’s this jolt that runs through us the first time he leans into a solo—suddenly it’s not just a duo anymore, it’s this little 70s band squeezed into a corner of Pour Bros.

Trying out “Low Rider” and a new favorite Supertramp tune

We’d been itching to roll out a couple of new songs for this show, and the disco theme gave us the excuse.

“Low Rider” by WAR was the first debut. On paper, it’s a pretty stripped-down tune, but once we started rehearsing it, we realized how much fun we could have with it—groove locked in, percussion feel on guitar and keys, and those three-part harmonies near the end. Even with Greg’s limited voice, he jumped in on those harmonies, and it turned into this cool little arrangement that fit the 70s night perfectly. Paul absolutely wailed on the sax breaks, including that iconic line between verses. You could see people’s heads pop up like, “Ohhh, this one.”

The other new one was “Take the Long Way Home” by Supertramp. Greg and Tom had played it together before, but this time Tom had taken on all the harmonica parts. The intro alone is one of those moments where you can feel the room recognize the song within three notes. Then we hit the solo section and let Tom and Paul trade licks—harmonica answering sax, back and forth. From our side of the stage, it felt like we’d stumbled into a different band for a minute. Greg was comping away on piano while those two went at it. We all walked off saying some version of, “Yeah… that one’s a keeper.”

Power cables, backup plans, and keeping the room dancing

Of course, it wouldn’t be a New Year’s Eve show without at least one minor crisis. Before we even started, Greg realized he couldn’t find the power cable for his Bose mixer. He tried to improvise with a substitute, and it worked—right up until it didn’t. About halfway through the night, during a break, the mixer just shut off and refused to come back.

Thankfully, there was a backup mixer in the gear pile. With a little cable juggling and some quick re-routing, e had everything patched in again before the break was over. Nobody in the crowd seemed to notice. From our side, it was a small miracle and a reminder of why we always bring more gear than we think we need.

Pour Bros hospitality and a wobbly “YMCA”

One of the reasons we love doing New Year’s Eve at Pour Bros is how well they take care of everyone. They handed us drink cards so we could enjoy  some of the craft beers and wine throughout the night, reserved a table for Tom and Paul’s wives, and put each of us up at Element, the hotel attached to the venue. Knowing you can just roll your gear a few feet and crash upstairs after midnight takes a lot of pressure off the night.

After we counted down to 2026 with the crowd, we packed up, grabbed some food, and hung around to talk with folks. There’s something nice about getting to celebrate with everyone instead of immediately loading into a van and driving off into the cold.

Somewhere in that after-show haze, we decided it was a good idea to take a bunch of ridiculous photos. At one point Greg climbed onto Tom’s shoulders, which is not something we necessarily recommend as a regular band ritual. Then “YMCA” came on, and between the three of us we attempted to spell it out. The result: Greg’s wobbly “Y,” Paul’s lowercase “m,” and Tom’s backwards “C.” We are absolutely not the Village People, but we are Bell & Field with Paul Weddle, and that’s more than enough for us.

Waking up in 2026

New Year’s Day started with the excellent breakfast at Element and a little postmortem on the night—what worked, what surprised us, which songs we want to keep in the rotation. Even with Greg and Paul both fighting off colds and the mid-show mixer drama, it had been a great time. The 70s theme, the saxophone, the new tunes, the crowd in full costume—it all added up to a pretty great way to step into 2026.

If you were there, thanks for ringing in the year with us and for being part of that loud, slightly off-kilter “YMCA” at the end.

About Bell & Field

We’re a piano–guitar live acoustic duo that loves digging into songs from the 60s through the 90s, rearranging them just enough to keep things interesting while still letting people sing along. Nights like this one at Pour Bros are exactly why we do what we do—real people, real rooms, and a few surprises along the way.

If you’re putting together a New Year’s party, a taproom night, or anything that could use a live acoustic duo performance with harmonies, sax cameos, and a few deep-cut 70s tunes, you can reach us through this page. We’d love to see what we can bring to your place.

When we rolled into Cadillac Jack’s on November 14th, we honestly weren’t sure how an acoustic duo would go over in a place that leans hip-hop and dance. We tuned up, crossed our fingers, and hoped our set lists would land. By the end of the night, we were grinning at each other between songs, because it was clear: they were in.

Figuring Out Cadillac Jack’s

Cadillac Jack’s in Bloomington, IL has a lot going on in one room—multiple bar areas, TVs, and a big dance floor that clearly sees a lot of late-night action. Their stage is set up so you can actually see people’s faces instead of just silhouettes, which makes a huge difference when you’re trying out slower songs or taking requests.

As we finished soundcheck, we both had the same thought: this might not be “our” crowd on paper, but we were curious to see what would happen.

The Crowd That Wasn’t Expecting an Acoustic Duo

The room filled up with a pretty mixed crowd—people who came for the DJ, people hanging at the bar, and a few who clearly just wanted to dance to whatever was loudest. Even so, they gave us a real shot. We could feel it after the first couple of songs.

At one point we slowed things way down with “Slip Slidin’ Away.” It’s not exactly a club banger, but when we hit the last chord, the applause was big and genuine. That was the moment we relaxed a bit and thought, “Okay. They’re with us.”

Requests, Surprises, and a Guest Named Yo

Once everyone realized we were taking requests, things got interesting in the best way. Here are a few of the moments that stuck with us:

• Neil Diamond fans came out of the woodwork, calling out classics from across the room. We did what we could on the spot and even found ourselves promising a Steely Dan tune for next time. Now we actually have to learn it.
• A local singer named Yo hopped up with us for “Tennessee Whiskey” and “Come Together” by The Beatles. We hadn’t planned on sharing the mic, but the crowd leaned in, phones came out, and it turned into one of the standout parts of the night.
• We wrapped the set with upbeat songs like “Stuck in the Middle With You” and “Mustang Sally,” which turned out to be the perfect handoff to the DJ’s Saturday Night Club Vibe. By the time we were packing up, the dance floor was already shifting gears.

One of the bouncers summed it up for us on our way out: “I didn’t think that kind of music would work here, but you guys won them over.” Hearing that from someone who sees every kind of night in that room meant a lot.

We also had a great conversation with Miranda, the bartender, who said she’d like to have us back. We don’t take that lightly—bartenders see and hear everything, so that kind of feedback goes straight to the top of our mental highlight reel.

Post-Show Taco Bell and Looking Back

After we loaded out, we did what any self-respecting musicians do at the end of a long show: hit Taco Bell. Over burritos and whatever we could get our hands on quickly, we replayed the night—the surprise requests, Yo jumping in, the way “Slip Slidin’ Away” somehow worked in a club setting.

We also grabbed some solid footage of Yo singing with us, and we’ll be sharing that soon. It’s the kind of thing you can’t really plan, and that’s exactly why we love it.

Come Hang With Us Next Time

Our night at Cadillac Jack’s reminded us how fun it is to walk into a room that isn’t “built” for acoustic music and win people over one song at a time. We’re looking forward to getting back there and seeing what happens on round two.

If you’re putting together an event and want live music that can roll with the unexpected—taking requests, adapting to the room, and keeping things genuine—book us for your next event.

Here’s to more nights where we plug in, read the room, and see where the songs take us.

Walking into Treehouse Pub & Eatery on November 1 felt less like loading in for a gig and more like dropping by a neighborhood hangout we’d somehow missed out on until now. The reclaimed wood, the low hum of conversation, the smell of pizza coming out of the oven—it all made it pretty easy to forget we were technically there to work.

Treehouse Pub: Food, Friends, and a Stage

Treehouse in Bettendorf has a reputation for being one of those places where people actually show up for the music, not just the TV screens and appetizers. Their menu is no joke either—gourmet burgers, artisan pizzas, and a long list of craft beers that had more than a few people studying the taps like a final exam.

My pre-show ritual that night was the Cuban Sandwich on Rustic Sourdough. It was exactly what I needed before we started—messy in the best way, and just enough fuel to make it through the first set without eyeing everyone else’s plates.

New Tunes, Old Favorites

We built the night around a mix of songs we know like muscle memory and a few we were brave (or foolish) enough to debut on the spot.

New additions to the set included:

• “Bittersweet” by Big Head Todd and the Monsters – We definitely took a minute to find our footing on this one, but once it locked in, the room leaned in with us and it ended up being a crowd favorite.
• “Jealous Again” by The Black Crowes – Our version turned into one of those head-nod, foot-tap moments where you can tell people recognize it from the first few chords.
• “Round Here” by Counting Crows – This one is no small lift, but we were really happy with how our first run went. It felt like the kind of song we’ll keep coming back to.
• “What You Give” by Tesla – This started as a surprise request and quickly turned into a sing-along. Sometimes the unplanned ones are the most fun.

We also mixed in some originals, including my song “My Shadow”. We’d only rehearsed it a handful of times, so it still had that slightly fragile, on-the-edge feeling, but it settled in nicely and might have just earned itself a regular spot in future sets.

Two Gears, One Night

At one point I joked with Tom that we only have two gears: before the wine and after the wine. Early in the evening, everything felt dialed in—tight harmonies, clean transitions, the kind of set where people can talk over their dinner but still catch a line here and there.

As the night went on, the room loosened up and so did we. We started leaning into the banter, telling a few stories between songs, and letting the tempo and volume creep up just enough to match the noise level of the bar.

Tom’s parents came out, which always makes it feel a little like a family gathering, and our friends Katherine and Marshall were there too. Having familiar faces in the crowd changes the whole night—it turns a show into more of a conversation.

Guest Vocals and TV Theme Curveballs

Marshall ended up joining us on stage for a few jazz standards, and his baritone voice completely shifted the mood in the best way. You could feel the room go quiet in that “nobody wants to talk over this” kind of way.

Later on, someone tossed out a request for TV theme songs. That turned into us pulling out the “Taxi” theme, which is not exactly something you expect to hear at a pub on a weeknight. It got a big reaction and more than a few surprised smiles.

Sing-Alongs and a World Series Win

We moved “Piano Man” earlier in the set than we usually do, and it immediately turned into a full-house sing-along—the kind where you can pretty much stop playing and let the crowd carry it.

The World Series game was on while we played, so to nod to that, we wrapped up with “Take Me Out to the Ball Game”. It was another one of those songs everyone knows whether they planned to sing or not.

By the time we got home, the Dodgers had clinched the World Series. That win meant a lot to Greg and to his mom’s late husband, who was a lifelong Dodgers fan. It felt like the night ended on a personal high note, both on and off the stage.

Thanks, Treehouse

Huge thanks to Brian and the whole team at Treehouse Pub & Eatery for taking such good care of us and giving us a place where the music, the food, and the people all seemed to be on the same wavelength. We’re already looking forward to coming back.

If you’re planning a party, private event, or anything that could use some live acoustic music, we’d love to be part of it. Book us for your next event and let’s see what kind of night we can create together.

Last Friday at Treehouse Pub & Eatery in Bettendorf, IA felt less like a brand-new gig and more like walking back into a room we already knew how to play. We rolled our cases onto the back patio, did the usual cable tangle and tuning tweaks, and by the time we looked up, the place had filled in with conversation, clinking glasses, and people settling in to hang out with us for the night.

The “Backyard” Stage Out Back

If you haven’t been to Treehouse Pub & Eatery, the name isn’t just clever branding. The back patio really does feel like someone built a multi-level wooden treehouse, then decided it needed a bar, a kitchen, and a lot of railings. There are string lights overhead, solid tables, and just enough elevation changes to make it feel like a backyard someone kept adding onto.

From the first tune, people felt close in—not just physically, but in the way they were actually paying attention. Heads turned when we hit the first chord. Folks were humming and singing along on the choruses, tossing us requests and comments between sets. We never feel like background noise at Treehouse; the patio leans into the show with us.

Starting Big, Then Sneaking In the New Stuff

We opened with a more upbeat first set to match the early dinner rush—songs with hooks people recognize, steady grooves, and plenty of toes tapping under the tables. Once that first wave finished their food and started heading out, the patio thinned a bit, and we took that as our chance to get a little braver with the set list.

“South City Midnight Lady” by The Doobie Brothers has been living on our music stands for a while, so finally playing it in front of actual humans felt like checking off a quiet little goal. It’s a layered, slow-burn song, and we honestly weren’t sure how it would feel outside the practice room. The applause came quickly and felt genuinely warm—one of those exhale moments that makes you think, “Okay, we can keep going down this road.”

We also brought out “Walk On the Ocean” by Toad the Wet Sprocket and “Round Here” by Counting Crows for their first public spin. Both of those live in that moody, storytelling lane we love—less about huge singalong choruses and more about letting the lyrics and dynamics carry things. You could feel the patio quiet down a notch as people tuned in, which is exactly what we hope happens with songs like that.

Cranking It Back Up With Old-School Rock & Roll

As the night went on, more people drifted back onto the patio, and the volume of the room climbed right along with them. We shifted gears and reached for the old rock & roll anchors: “Be-Bop-a-Lula” and “Great Balls of Fire.” Those two refuse to sit quietly in the background.

There was clapping on the backbeats, some full-on chair-dancing, and a lot of big grins aimed our way. Those piano parts move fast enough that there’s not much time to think about anything except keeping your hands where they’re supposed to be, but hearing people singing over the top of it makes the juggling act worth it.

Craig, Jana, and Familiar Family Faces

One of the highlights of the night was meeting Craig and Jana, who stayed with us all the way through the last song. After we wrapped up and started the slow process of coiling cables and packing up, we caught them on their way out and had a quick conversation and thank-you. Those end-of-the-night chats are short, but they’re the ones that replay in your head on the drive home.

We also had some very familiar faces in the crowd: Tom’s parents came out to the show. Having family in the audience adds a strange mix of comfort and pressure—you know at least two people out there have heard you practice these songs when they were a lot rougher, so you’re hoping they notice the progress.

Patio Weather That Actually Behaved

The weather did us a favor and hovered right around 75°. No jackets, no shivering, and we weren’t chasing guitars or piano tuning all night. For an outdoor show, that’s about as low-maintenance as it gets.

We’re not counting on that kind of luck once the temperatures drop, which is why we’re actually looking forward to our next Treehouse date being indoors—our first time playing the inside space there. Same crowd, same staff, just a new corner of the building for us to figure out.

Next Treehouse Date & How to Bring Us to Your Event

We’ll be back at Treehouse Pub & Eatery on Saturday, November 1. Whether you’ve seen us a bunch of times or you’re just curious what a piano–guitar duo sounds like in that room, we’d love to have you there.

If you’d like Bell & Field to bring this mix of new tunes, familiar classics, and plenty of interaction to your own event, you can book us for your next event. We’re always glad to add another party, wedding, or gathering to the growing list of nights we get to play.

Life, in its most fundamental rhythm, is a sequence of repetitions. There is a deep, primal satisfaction in this—the familiar cycle of the sun, the comfort of a routine, the predictable rhythm of an average day. This sense of knowing, of grounding, often acts as a necessary anchor in a chaotic world. Yet, as our modern culture has ramped up the gears of mass-production, that fine line between the familiar and the monotonous has all but dissolved. We are inundated with a sea of cheap sameness: products, services, ideas—all delivered to us at a relentless pace. In the wake of this cultural shift, and with the rapid, pervasive rise of artificial intelligence across all forms of media, the task of discerning the authentic from the algorithmic, the real from the fake, has become an exhausting, daily chore.

This is Real

This cultural backdrop is precisely what makes the arrival of “Tired” by Lewis Knudsen and Lainey Jean so impactful. Dropped quietly at the end of September, it is a distinctly REAL piece of music that cuts through the noise. It doesn’t scream for attention with flashy production or rely on viral trends; instead, it offers a moment of genuine, empathetic resonance.

Lewis Knudsen, a respected musician from the Illinois Quad Cities, has been honing his craft for years. His songwriting is consistently rooted in his own sincere life experiences, a biographical honesty that elevates his work beyond mere pop craft. While the material is deeply personal, he has a gift for crafting songs in a way that allows listeners to instantly find themselves within the lyrics, nodding their head in recognition of universal truths. It’s the kind of music that feels less like performance and more like shared conversation.

Partnering with him on this track is Lainey Jean, a relative newcomer from Rock Island, Illinois, whose passion for music deepened during the quiet, isolating moments of the COVID-19 pandemic. She has been actively performing and releasing music since 2024, and this collaboration proves she is an artist with a promising trajectory.

Cutting Through the Noise

The song “Tired” is, oddly enough, profoundly comforting. The title speaks directly to a collective fatigue. We are all worn down by the perpetual white noise of modern existence: the endless scroll of social media, the aggressive push of digital marketing, the dizzying, corrosive churn of pop culture and political vitriol. It’s an exhaustion that seeps into every facet of life. Sometimes, the weariness is the sheer volume of products relentlessly hawked to us; other times, it’s the superficiality of fake or forced interactions with people we see every day. The song captures this feeling of being constantly “on” and utterly drained by the effort.

Knudsen and Jean bring a beautiful, complementary contrast to the track. They both possess distinct voices—Knudsen’s perhaps offering a grounded, seasoned weariness, and Jean’s providing a brighter, more hopeful texture. Their vocal blend is superb, creating a soundscape where hope is delicately wrapped in the honest acknowledgment of everyday exhaustion. It’s not a song about giving up; it’s a song that says, “I see you, and it’s okay to feel this way.”

Like a Silent Prayer

Musically, the song is subtly arresting. Knudsen’s production choices are masterful in their restraint. I am particularly taken by how the repetitive, grounded verses—which musically mirror the monotony they describe—are broken by a stunning, cathartic flourish. The end of the verses is punctuated by a string of cello-like ascending notes. It’s a sonic signature that acts like a gasp of air or a moment of release, an aural representation of birds being set free to the sky, like a brief, silent prayer. This subtle musical detail provides the emotional climax of the song, transforming the simple word “tired” into a moment of graceful surrender and renewal.

In a media landscape increasingly populated by the synthesized and the superficial, “Tired” is a necessary act of musical resistance. It is a genuine, human connection presented as a beautifully arranged duet. Let’s sincerely hope this is far from the last collaboration between Lewis Knudsen and Lainey Jean. They have found a powerful synergy, and their voices are precisely what is needed to cut through the din of our increasingly automated world.

What other artists do you think successfully capture this feeling of modern digital fatigue in their music?

https://lewisknudsen.com

https://linktr.ee/laineyjean

Saturday night at Treehouse Pub & Eatery in Bettendorf, IA was one of those easy evenings that make outdoor shows a pleasure. The deck sits above a quiet stretch of Duck Creek, and with a light breeze and room to spread out, it felt made for an acoustic duo.

The Setting

Treehouse’s deck gives you trees, water, and plenty of space to relax. For our first time here, it was a comfortable fit: a steady flow of guests, good food moving across the patio, and a crowd that leaned in from the first few tunes.

Highlights from the Night

We kept the setlist familiar and let the songs do the heavy lifting. A few that landed especially well:

• It’s the End of the World as We Know It — R.E.M.
• Rikki Don’t Lose That Number — Steely Dan
• And She Was — Talking Heads
• This Guy’s in Love with You — Herb Alpert
• Piano Man — Billy Joel

Midway through the evening we brought back Billy Joel’s Vienna after a long break, and the quiet that fell before the chorus told us we chose right. We also had a birthday table; everyone joined in for Happy Birthday, which turned into an easy singalong and a nice reset before the next set.

A Couple of Stories

Someone tipped us with a $10,000 bill—novelty money, of course—but it got a laugh up and down the rail. On a practical note, Greg had a bit of a health scare the next morning, which brought a reminder to take care of the basics: hydration and balanced meals. A potassium dip isn’t the encore anyone wants, so we’re building in better pre-show routines.

What’s Next

We wrapped up the night with a quick chat about future dates, and we’re happy to share we’ll be back at Treehouse Pub & Eatery on October 17 and November 1. Big thanks to Brian and the Treehouse team for the welcome and an easy first show on the deck. We’re looking forward to seeing familiar faces—and a few new ones—when we return.

If you’re looking for an acoustic duo for your patio night, private party, or a relaxed dinner crowd, we’d love to help you set the tone. Book us for your next event.

This past Saturday we hauled the piano, guitar, and sax down to Central Blvd in Kewanee, IL, for a Hog Days Pre-Parade Celebration at a private home right on the route. It was one of those late-summer afternoons where the sun is warm but not punishing, and you can hear the buzz of the parade crowd starting to build in the distance.

Hog Days from the Front Yard

The house sat just off the street, so we were basically playing from someone’s yard straight out to the parade crowd. Once the clouds finally moved out, we had a clear blue sky, kids running around, lawn chairs lined up, and people drifting in and out to listen between parade prep.

We kicked things off with some familiar tunes to pull people in. Starting with “Mrs. Robinson” and “I Feel Fine” felt just right for a sunny afternoon in Kewanee. With Paul Weddle on sax, the trio sound came together quickly—he has a way of sliding into a song like he’s been in the band for years.

What We Played While the Parade Got Closer

We mixed in a bunch of songs that fit the weather and the mood—some lighter, some a little more driving as the street got busier:

• Setlist highlights:
• Mrs. Robinson
• I Feel Fine
• Summer Breeze
• My Life
• Baker Street
• Spooky
• Piano Man
• American Girl

“Baker Street” with Paul on sax was an obvious crowd-pleaser—any time that riff shows up, heads turn. “Piano Man” had a few people quietly singing along from their lawn chairs, and “American Girl” gave us a nice little push of energy as the parade time got closer.

Guest Vocals, Cabernet, and a Sting Tune

One of the best surprises of the day was when local musician Marshall Jones jumped in with us. He came up to sing “It’s Probably Me” by Sting, and it instantly felt like we’d rehearsed it, even though we absolutely hadn’t. That’s the fun part of these neighborhood-style shows—someone you know from around town steps up and suddenly you’ve got a new version of the band for a song.

As the sun climbed and the shade started to disappear, our host, David Guzzardo, kept us in good spirits with a couple of bottles of Cabernet. Not exactly traditional “hydration,” but it definitely helped keep the mood loose and the between-song banter honest.

Hog Days, Home Turf, and Familiar Faces

Hog Days is a big deal in Kewanee, and even though this was technically a private party, it felt very much like being in the middle of the whole thing. The parade route was just a few steps away, and you could feel the build-up as floats and groups started lining up down the street.

For Tom, who lives just a block away, playing this show is basically like hosting a backyard jam for the whole town—only with more people walking by and more pork-related decorations.

Having family around made it even better. Greg’s daughter came by with her boyfriend, Jake, and Greg’s wife showed up too, along with their high-energy dog, Leo, who did laps around the yard like he’d been hired as our unofficial hype man. It’s always easier to relax into a set when you can look out and see people you know mixed in with the crowd.

As the Parade Turned the Corner

Eventually the parade made its way to our stretch of Central Blvd, and we paused the music so everyone could watch. The sound of drums, engines, and cheering rolled past, and just like that, our little front-yard stage became part of the background of Hog Days instead of the main event.

We wrapped up with that nice, tired-but-happy feeling you get after playing outside all afternoon. If you’d like this kind of live acoustic duo setup—piano, guitar, harmonies, and the occasional guest sax—for your own gathering, you can book Bell & Field for your next event.

Looking for a delightful way to spend your Saturday afternoon? On August 2, join us at Market Alley Wines in Monmouth, IL, for a special evening featuring the enchanting sounds of Bell & Field alongside a unique wine tasting experience! The event begins at 5:00 PM and concludes at 7:00 PM, offering an atmosphere filled with great music and fine indulgence.

Event Details

• When: Saturday, August 2, 5:00–7:00 PM
• Where: Market Alley Wines – 59 Public Square, Monmouth, IL 61462
• Who: Live acoustic performance by the talented duo, Bell & Field
• What to Expect: A fusion of melodious tunes, exceptional wines, and a cozy ambiance that promises a delightful and intimate gathering.
• Website: Market Alley Wines

About Bell & Field:

Bell & Field are celebrated for their smooth harmonies and timeless repertoire from the ’60s to the ’90s. Their acoustic set is crafted to foster a warm, inviting atmosphere—ideal for enjoying the music as well as the exceptional wines available.

The Venue: Market Alley Wines & Monmouth’s Warm Welcome

Situated in the heart of Monmouth’s charming Public Square, Market Alley Wines is known for its inviting space and curated selection of wines. Here, you can savor a relaxed vibe complemented by a community that exudes warmth and hospitality. Monmouth’s rich history and thriving local culture make this venue a perfect backdrop for an intimate evening of music and wine.

Join Us for a Memorable Experience

Gather your friends and join us for a captivating evening where live music meets curated wines. Whether you’re a dedicated fan of Bell & Field or eager to explore new wine flavors, this event promises to offer something special for everyone. Which song or wine are you most looking forward to experiencing? Share your thoughts in the comments below!

Raise a glass to an unforgettable night of music, wine, and camaraderie at Market Alley Wines!

What a night to remember! On July 11, 2025, the skies above Rams Riverhouse seemed determined to test our resolve with torrential rains, fierce winds, and even tornado warnings. As we drove into town under ominous clouds, our excitement about performing with legendary saxophonist Paul Weddle kept spirits high, even as we became thoroughly drenched hauling our gear inside.

The Challenges and the Triumph

Load-in was truly an adventure. Wind gusts and driving rain made it difficult just to get our equipment through the door. As we shook off water and started setting up, the question lingered: would anyone brave such monsoon-like conditions to join us?

After completing what seemed like a successful soundcheck, we confidently started our first song—only to be interrupted 15 seconds in by loud crackles, pops, and sudden silence as the mixer abruptly shut down. We quickly switched to a backup mixer, only to encounter the same distressing sounds again. With tension rising, Tom noticed an erratic red light flickering on one of the mixer channels. Thankfully, we discovered a faulty keyboard cable was the culprit. Once replaced, everything finally fell into place. Third time truly was the charm!

Musical Highlights

From the moment we overcame the technical hurdles, the show took off spectacularly. Opening with energetic classics like “Be-Bop-A-Lula” and “Hello Mary Lou,” we immediately connected with an enthusiastic audience determined to enjoy the night despite the storm.

Setlist Standouts

• “New York State of Mind” showcased Paul’s incredible musical instincts and powerful sax solos, elevating the soulful vibe of the evening.
• “The Way You Look Tonight”, beautifully sung by Paul himself, captured the room with its timeless charm.
• “Baker Street” by Gerry Rafferty was an undeniable highlight. Paul’s rendition of that iconic saxophone riff thrilled everyone present, and it’s already on our must-repeat list.
• “Spooky” was a crowd favorite, made even more special because Paul has toured with the Classics IV—the very band known for this hit. He took full advantage of the venue, weaving through the crowd and mesmerizing everyone with his engaging performance.

A Night with Paul Weddle

Playing alongside Paul Weddle was extraordinary. Paul’s extensive experience touring with legendary artists like the Doobie Brothers, B.B. King, and Elton John was evident in every note. His effortless sax playing added layers of sophistication to our music, gracefully complementing vocal lines, creating dynamic fills, and delivering thrilling solos. Paul’s generous musicality truly brought our sound to a whole new level.

The camaraderie and mutual enjoyment we experienced were unmistakable. After the final notes faded, we lingered for nearly an hour in conversation, sharing stories and expressing our genuine excitement to collaborate again in the future.

Gratitude and Looking Forward

We’re deeply grateful to Steve Baxter, owner of Rams Riverhouse, for his generous hospitality and unwavering support. It warmed our hearts to see so many familiar faces, including our good friend Paul Ganahl—who hosts fantastic open mics at Rams Riverhouse and our favorite Port Byron venue, Tuggers—as well as Tom’s parents, wife Malissa, and son James, who all braved the stormy weather to support us.

Most importantly, a massive thank you goes out to the resilient and enthusiastic audience. Your energy and applause made this evening incredibly special, turning what could have been a challenging night into one of the most memorable performances we’ve ever had.

If you were inspired by this event, book us for your next event, and let’s create lasting memories together!

Every time we perform at The V’ue in Clinton, IA, we’re reminded of what makes live music so special. There’s something truly magical about this venue—from the cozy, inviting stage setup to the soothing scent of incense drifting through the room. This evening was no exception, with an intimate audience of about 20 enthusiastic friends and music lovers, delicious charcuterie boards, and a perfect acoustic vibe.

The Highlights from Our Set

Audience requests made this night unforgettable! Here are a few standouts:

• “Summer in the City” by Lovin’ Spoonful – An upbeat crowd-pleaser!
• “Great Balls of Fire” by Jerry Lee Lewis – Always fun, always fiery!
• “When You’re in Love with a Beautiful Woman” by Dr. Hook – A delightful surprise! We laughed when we realized we didn’t quite remember the bridge but improvised seamlessly back into the chorus.
• “Norwegian Wood” by The Beatles – Emulating that iconic sitar melody on the keys never gets old.

A Special Duet with Brooke Byam

A highlight of the night was undoubtedly when Brooke Byam, owner of The V’ue, joined us on stage. We had a request for something by Fleetwood Mac, and Brooke suggested “Rhiannon“—what an inspired choice! Her vocals soared beautifully and soulfully, and we loved adding some additional harmonies.  We think it created some good chills in the audience.  The reaction was very enthusiastic. Thanks for sharing your incredible talent, Brooke!

Selected Favorites from Our Setlist

• “I Feel Fine” – The Beatles (Brooke captured an awesome video of this!)
• “Ventura Highway” – America
• “Small Town” – John Mellencamp
• “Riders on the Storm” – The Doors
• “Can’t Buy Me Love” – The Beatles
• “You Don’t Mess Around with Jim” – Jim Croce

Though encores aren’t typically part of our routine, we didn’t want to turn down this fantastic crowd who wanted more. We wrapped up the evening with a lively singalong to “Brown Eyed Girl“—the perfect finale for a wonderful night!

The Unique Atmosphere & Our After-Show Tradition

The V’ue’s speakeasy-style charm and welcoming vibe make it one of our favorite venues. Brooke always ensures we’re right at home. Before the show, keeping tradition alive, we headed down the street to Holly’s Dogs (a charming eatery housed in a repurposed old bank) and enjoyed a couple of tasty Pork Carnitas Dogs—a perfect addition to the night!

Thanks to everyone who joined us at The V’ue and made this evening so memorable. We’re already excited for our next performance!

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