We rolled back into Crescent City Tap on one of those bitter cold January nights where you question all your life choices while you’re loading gear. We’ve played this room a bunch of times now. It wasn’t packed like some of the past shows, but we also knew the folks who did come out would really be there to listen and have a good time with us.
Seven people, three hours, and a lot of conversation
I think we played to basically the same seven people for most of the night, which ended up being kind of great. They settled in, ordered their drinks, and just stayed with us. It felt less like a show and more like we’d been hired to play someone’s living room, only with way better whiskey options.
Before the gig, we met at my home, working on “Draggin’ the Line.” We usually do 3-part harmonies with our buddy Paul Weddle on sax, and we were trying to see if we could make it work as just the two of us. Harmonies felt solid, we were ready to go… and then we proceeded to completely forget to play it. Never even called it. Classic.
Instead, we ended up dusting off some songs we hadn’t touched in a while: “Bittersweet,” “And She Was,” “Leader of the Band,” and a few others that had been sitting on the bench. It was one of those nights where the set list kept changing based on whatever conversation we were having with the room.
Requests we’d never played (and one we half-played)
By mid-show we had clearly drifted into a ’70s groove, and the crowd picked up on it. Requests started coming in: “Sunshine on My Shoulders,” some John Prine, “I Fought the Law,” “Take Me Home, Country Roads,” and then teased a verse with the curveball request: “Without You” by Harry Nilsson.
We had never played any of those before. We decided to just go for it and see what happened. “Sunshine on My Shoulders” and the Prine tune came together better than we had any right to expect, and it actually felt pretty good leaning into that era for a while.
“Without You” only went as far as the first verse. Greg really likes that song but has never practiced it, so he previewed it just to see where it sat. He bailed out before it jumped up that octave. With a little practice, that song might make it into our upcoming Valentine’s Day show at Copper & Oak.
Moms, Walken impressions, and that small-room feeling
One of Greg’s favorite moments of the night had nothing to do with the set list. Between songs he turned to me and asked, “So what are you feeling?” meaning, what should we play next. My mom was in the audience and immediately perked up: “Did you just ask him how he’s feeling? Why, is he sick?”
We had to explain that Greg was asking about the next song, not my health. Greg then joked that I had “a fever for music,” which of course led me straight into a Christopher Walken impression: “I got a fever, and the only prescription… is more cowbell.” I’ll be honest, whatever voice came out of my mouth was not Christopher Walken. Greg said it sounded more like Louis Armstrong. Either way, the whole exchange had the room cracking up.
Mom-level concern in the middle of a live acoustic duo performance is hard to beat. It’s those little unscripted things that make a quiet night feel full.
Familiar faces in Galva on a freezing night
Even with the small crowd, it was really good to see some people we hadn’t caught up with in a while: Teri Pankau, Annette Smith, Alan Anderson, Mike Martin, and a few others who’ve been cheering us on for a long time. My parents were there, as always, quietly anchoring a table and clapping for every song like it was the first one they’d ever heard us play.
Mike grabbed some video near the end of the night, so we’re curious to see what that looks and sounds like from the other side of the speakers. From our side, it felt like one of those Crescent City Tap entertainment nights where the room is small, the conversations are easy, and you actually have time to talk with everyone who came out.
Already looking ahead to the next Crescent City Tap show
We’re back at Crescent City Tap on Friday, February 27, this time with Paul Weddle on sax. If you’ve heard us do “Take the Long Way Home” as a duo, you know it’s fun—but when Paul comes in on that sax line, it turns into a whole different animal. We’re also determined to remember “Draggin’ the Line” before we leave the stage this time. But we might just stick to the love songs for that day.
About Bell & Field:
We’re a piano–guitar duo that loves taking familiar songs from the ’60s through the ’90s and putting our own spin on them with harmonies and stripped-down arrangements. Nights like this one in Galva are exactly why we do it: a handful of people, some honest requests, a few surprises, and plenty of time to actually talk in between.
If you’re looking for live music in Galva or beyond and want a low-key, conversational kind of show like this, you can reach out to us here: https://www.bellandfieldmusic.com/book-acoustic-duo/.
We hope everyone is enjoying the early vibes of February. Just in time for Valentine’s Day, we’ll be playing at Copper & Oak Bourbon and Craft Beer Bar on Saturday, February 14, 2026, from 6 PM to 9 PM.
For this Valentine’s Day show, we’re excited to bring in guest artist Paul Weddle on saxophone. Paul is a renowned touring saxophonist for the legendary Classics IV (known for “Spooky” and “Stormy”), and his playing adds a smooth, soulful layer that fits this night perfectly. He has also toured with the Doobie Brothers, B.B. King, Three Dog Night, and many other music legends.
We finally made it to The Phoenix Restaurant & Martini Bar in Davenport, and our first time there turned into one of those nights where the plan just kept expanding in the best way.
We’re looking forward to a special night at The Phoenix Restaurant & Martini Bar in Davenport on January 24. While it’s a private birthday party, it’s always nice to spend time in such a warm and inviting atmosphere where you can enjoy good food and drinks with friends. The Phoenix has a great reputation for their extensive wine list and their variety of gourmet dishes.
We’re happy to share that we’ll be performing at Cerno’s in downtown Kewanee on Thursday, May 29, 2025. The warm atmosphere is just right for an evening like this, especially with the splendid back bar imported from Belgium and the inviting vibe that comes with it.
As we move into late spring, we’re excited to share that we’ll be playing at Tuggers in Port Byron this coming Saturday, May 30, from 6 to 9 PM. This spot has a warm and inviting atmosphere, perfect for a relaxed evening with good company. With the scenic Riverfront dining, it’s a lovely place to spend some time.
New Year’s Eve shows always feel a little different. Everyone walks in carrying a whole year on their shoulders and hoping the next one starts on a good note. Pour Bros in Moline has become that place for us. This was our third NYE there, and this time they went all-in on a 1970s disco theme and let us bring in our friend, saxophonist Paul Weddle. That combination pretty much guaranteed things were going to get interesting.
We’d been itching to roll out a couple of new songs for this show, and the disco theme gave us the excuse.
One of the reasons we love doing New Year’s Eve at Pour Bros is how well they take care of everyone. They handed us drink cards so we could enjoy some of the craft beers and wine throughout the night, reserved a table for Tom and Paul’s wives, and put each of us up at Element, the hotel attached to the venue. Knowing you can just roll your gear a few feet and crash upstairs after midnight takes a lot of pressure off the night.
Hi friends! We’re excited to let you know we’ll be playing at Cedar Ridge Winery & Distillery on Sunday, June 7, 2026, from 1 to 4 PM. It’s a nice chance to unwind and enjoy some time catching up with friends over a glass of wine or one of their house-made whiskeys.
We weren’t totally sure we were going to make it to Market Alley Wines this time. Six inches of fresh snow, dropping temps, and that steady Midwest wind that makes you question all your life choices. But it’s Market Alley, and we love playing there, so we packed up the van, pointed it southwest on Hwy 34, and went for it.
After we wrapped, a bunch of folks came up to chat on their way out. We got to see Dylan again—yes, named after Bob Dylan—who we’d met after a previous show. He’s one of those people you instantly remember. We found ourselves wondering on the drive home, “Is he a musician too?” If you’re reading this, Dylan, we’re still curious.
